The Berlin International Film Festival has rolled out more titles set for its 67th edition, running from February 9 through 19. So far, we've seen first rounds of films slated for the Competition and Berlinale Special and the Panorama and Perspektive Deutsches Kino programs. Today sees the first selections for the Forum Expanded and Generation sections.


The theme of the 12th edition is "The Stars Down to Earth": "The search for ways to enable art to deal with an increasingly intangible reality forms an essential similarity between the selected works."

Jeamin Cha's Twelve is a video installation that, as the festival puts it, "examines the pragmatic process underpinning the annual secret wage negotiations held between Korean employer and employee associations."

Sandra Schäfer’s video installation Constructed Futures: Haret Hreik "investigates city planning and redevelopment in Beirut and the political and religious ideologies they contain."

Eija-Liisa Athila's film Studies on the Ecology of Drama "explores ways of finding film images that move beyond cinematographic anthropocentrism by shifting her gaze away from people and onto their environment."

The Karrabing Film Collective's Wutharr, Saltwater Dreams "shows three different variants of one and the same story, demonstrating how different approaches to a problem don’t just bring forth contradictory solutions but also mutually complimentary ones."

Joe Namy's installation Purple, Bodies in Translation - Part II of a Yellow Memory from the Yellow Age "merely shows a purple-color surface, while the soundtrack explores the question of which details are lost in translation and what additional elements and contradictions are created by the differences between subtitles and image."

And we can evidently look forward to hearing next month about more work from James Benning, Duncan Campbell, Ken Jacobs, Philip Scheffner and many others.


With descriptions from the festival…

Michael Winterbottom's On the Road will open the program. Shot in the characteristic hybrid style that has become the English director’s trademark, his newest outing follows the members of the band Wolf Alice on tour as they travel back and forth across their native Great Britain, where they have caused quite a stir in recent years. The film intimately portrays life on the road, in all its ecstasy and exhaustion. The connection between the musicians and their fans is palpable and there is a fine interplay between watching and listening amongst concert and film audiences. The Guardian's Peter Bradshaw calls On the Road "his best film in years: romantic, erotic and musically euphoric."

Carol Salter's Almost Heaven. World premiere. Far from home, 17-year-old Ying Ling practices for her examination to become a mortician at one of China’s largest funeral homes. In addition to frequent qualms and farewell ceremonies, the everyday routine of this unusual occupation also serves up both humorous and life affirming moments. Carol Salter’s debut outing is an empathetic documentary portrait touching on fears, friendship and coming of age amidst ghosts and the dearly departed.

Rafael Kapelinski's Butterfly Kisses. World premiere. Jake and his friends pass their time hanging out in the courtyards of their high-rise development or in pool halls, talking about girls, watching pornos and getting drunk. Jake is burdened by a dark secret that distances him more and more from the others and drives him into dangerous isolation. Rafael Kapelinski stages his debut film in contrasting black and white, moving in respectful proximity to his characters, brought to life vividly here by an ensemble cast of new discoveries and young talents (including Thomas Turgoose from This Is England, Generation 2007).

Mathieu Denis and Simon Lavoie's Ceux qui font les révolutions à moitié n'ont fait que se creuser un tombeau (Those Who Make Revolution Halfway Only Dig Their Own Graves). European premiere. With epic scope and stunning polymorphism, the film follows a group of young people in Québec who resolve to form a revolutionary cell together in the aftermath of student protests. This unflinching work from Mathieu Denis (Corbo, Generation 2015) and Simon Lavoie employs its protagonists to play through what it might mean to instigate a revolution and devote one’s life to a cause in today’s world.

Neil Triffett's Emo the Musical. International premiere. The forbidden high school love between Ethan, the shy Emo kid with suicidal tendencies, and chipper Christian activist Trinity previously delighted Generation audiences as a short film in 2014. Director Neil Triffett is back with his heartbreakingly funny musical grotesque, now in feature-film length, and chock full of even more colorful characters to light up the big screen.

Cristiane Oliveira's Mulher do pai (A Woman and the Father). International premiere. After the death of her grandmother, 16-year-old Nalu is left to care for her father alone. Any hope of leaving her dismal village now seems to have receded far off into the distance. Cristiane Oliveira’s coming-of-age drama, a work of slowly paced cinema characterized by respectful intimacy and subtle physicality, paints the complex portrait of a relationship between an adolescent daughter and her blind father.

Dash Shaw's My Entire High School Sinking into the Sea. European premiere. He’s not exactly popular, he’s got friend problems, he wants to make it big with the school paper and he goes by the name of his inventor, Dash. In the school basement, he discovers a secret that rocks the very foundations of his world. Graphic novelist Shaw hopes that his film will reach 15-year-old nerds who are just as crazy about drawings and paintings as he himself was at their age. This work of animation virtually spilling over with ingenuity (and featuring the voice-over talents of Jason Schwartzman, Maya Rudolph, Lena Dunham and Susan Sarandon) is sure to delight young viewers outside of this particular demographic as well.

Kuba Czekaj's Krolewicz Olch (The Erlprince). European premiere. The action in The Erlprince builds and surges as dramatically as the ballad by Goethe from which it borrows its title. The boundaries between reality, desire and appearance are blurred in this futuristically tinged film about an extraordinarily gifted young man and his ambitious and wondrous mother. Expressed in a form as unconventional as the characters it portrays, the film oscillates between the poles of both science and nature and love and violence.

Bruce McDonald's Weirdos. European premiere. Just after the end of the Vietnam War and in the midst of the American bicentennial celebrations of 1976, runaway Kit and his girlfriend Alice hitchhike their way along the east coast of Canada. Bruce McDonald (The Tracey Fragments, Panorama 2007) has managed to create a coming-of-age film that shines equally as a road movie, one driven by a fantastic soundtrack composed of deep cuts from the era in question. A rebellious trip in black and white, in which all sense of certainty gets left by the wayside.


Fabio Meira's As duas Irenes (Two Irenes). World premiere. In the shimmering heat of Brazil, 13-year-old Irene discovers a dark secret her father’s been hiding: he has another family and even another daughter with the same name. Irene embarks on a risky game that could blow up in her face at any moment. The languid summer atmosphere of Fabio Meira’s feature film debut can’t hide the fact that something is simmering right under the surface.

Ute von Münchow-Pohl's Die Häschenschule - Jagd nach dem Goldenen Ei (Rabbit School - Guardians of the Golden Egg). World premiere. Scrappy city rabbit Max finds shelter in a hidden Easter bunny school after a misadventure with a model plane leaves him stranded far beyond the city limits. Here he encounters the keepers of the legendary Golden Egg, itself the coveted prize of scheming foxes. After an initial bout with boredom, the secret techniques of the Easter bunnies finally arouse Max’s curiosity. This lovingly drawn German animation film, based on the 1924 classic, is a pure delight buoyed by imagination and brisk pacing and graced with the voices of Senta Berger, Friedrich von Thun, Jule Böwe and Noah Levi.

Darío Mascambroni's Primero enero (January). European premiere. 11-year-old Valentino’s life goes off the rails when his parents get divorced, challenging him to see the world from a different angle. In a tender and moving father-son story, the director takes his protagonists and his viewers out to the countryside, into a world of heightened sensitivity.

Kriv Stenders's Red Dog: True Blue. European premiere. Australian director Stenders delighted Generation audiences in 2011 with a legendary story about a very special dog. Now, at the centre of this sequel—which is also a prequel—the red canine is joined by 11-year-old Mick, who treasures his bond with his four-legged friend above all else. Destiny has brought the duo together on a farm in the Australian outback, where the two partake in mystical adventures and Mick encounters his first true love. With great humor and sensitivity, the film is a tale of growing up in a time of transformation. Luke Buckmaster interviews Stenders for the Guardian.

Toby Genkel and Reza Memari's Richard the Stork. World premiere. Even though everybody else thinks he’s a sparrow—Richard himself holds tight to the conviction that he is in fact a stork. In this fast-paced adventure, Toby Genkel and Reza Memari tell the story of a bird who sets off self-confidently on a winter trip to Africa in a literal rite of passage that simultaneously serves as an empathetic tale about otherness and self-discovery. This German-international co-production provides spellbinding entertainment with its fantastic and fanciful fable showcasing top-shelf animation.

María Novaro's Tesoros. World premiere. Siblings Dylan and Andrea set off with their new friends on a marvellous journey of discovery in search of long lost pirate loot. In refreshingly sunny images, María Novaro gets up close to her characters to tell a story of children confidently indulging their lust for life and curiosity. In a commune on Mexico’s Pacific coast, they are given space to go their own ways and together find something much more valuable than buried treasure.

Xiang Zhao's Shi Tou (Stonehead). World premiere. 10-year-old Shi Tou, the son of a migrant laborer, grows up alone with his grandmother. It’s so hard to tell right from wrong! Sharing a reward with a classmate or waiting until his father returns, obeying his teacher of protecting his friend—which one should he choose? With documental authenticity, Xiang Zhao paints a portrait of life in rural China and a society in which an entire generation has too often been left to grow up in the absence of their parents.