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A year in the life of an American gambler and con man circa 1963. A diaristic, first person montage full of glimpses, glances, decaying ephemera and elliptical narrative. An abstract crime film and, like many other crime films involving larceny, a sensorial exploration of the virulence of unfettered capitalism. An impressionistic collage film, culled from a wide variety of image and sound sources that fully exploits the hieroglyphic essence of cutouts to ponder what appropriation and stealing have in common.

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Executive Producers