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Summary

The sinful, decadent city is contrasted to the simple, honest countryside in this fascinating reworking of Steele MacKaye's ever-popular melodrama "Hazel Kirke" (1880). Events occurring off-stage are shown in the Porter film, including Hazel's suicidal jump and her rescue. And yet, while Porter and McCutcheon retained the character's names, they reworked crucial narrative elements. Class differences are banished from rural life (Rodney is just an average farmer) and re-located to the city. It is Carringford, the debonair artist from the city, who acts duplicitously and seduces the miller's daughter, Hazel.

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