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May Irwin and John C. Rice enact the final moment from THE WIDOW JONES, a musical comedy then playing on Broadway. Initially, it was to be published as a series of photographs (via line drawings) in the Sunday edition of the New York World. The "risqué" scene had become a center of controversy during the 1895-96 theatrical year, and the World analyzed it (tongue in cheek) through a succession of photographs and in an accompanying article. Some weeks later, it was shown at Koster & Bial's Music Hall and proved a huge hit, becoming the most popular Edison film of 1896.

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