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Summary

The final film in the CINEVARDAPHOTO triptych is the oldest, SALUT LES CUBAINS. In 1963, Varda thoughtfully gave order to 1,800 photos that she had recently taken on a trip to Cuba. In just 30 minutes, the photographer/filmmaker achieves a sprawling depiction of the country, its people, its music, its history, its revolutions and its energy. The narration veers towards Chris Marker-like poeticism (not to mention his brand of “objective history”); Michel Piccoli and Varda engage in jocular lyric interplay. Out of the three films, SALUT LES CUBAINS most explicates the title CINÉVARDAPHOTO as it’s a film made, almost entirely, from Varda’s photographs.

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