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In director Josué Méndez’s stylishly composed second feature, Elisa, the soon-to-be-wife of a wealthy industrialist, is eager to shed her working-class background in favor of the opulence of her fiance’s elite lifestyle. To her dismay, she soon realizes her hopes to slip into magazine-ready images of domestic splendor must also include her future stepchildren: Diego, who is hounded by his overbearing father and reluctantly preparing to enter the family business, and Andrea, Diego’s party-girl sister and the object of both his desire and disgust. As Elisa embraces her new life of lavish parties and beachfront estates, Diego and Andrea rebel against their upper-class upbringing, setting the stage for an ironic contrast of fate and ambition in this biting satire on upper-crust wealth and privilege.

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