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Summary

Émile Cohl was already 50 by the time he made his first breakthrough work for Gaumont. FANTASMAGORIA's squirmy chalk drawings are infused with the same anarchic spirit which inspired his earlier work as a caricaturist and art provocateur. Pointedly crude, the animation skewers a bourgeois lady at the theater within seconds. An auspicious beginning for one of cinema's first surrealists.

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