On individual existence too vast for a slogan, a demand, a group action or an apology.
A side-by-side analysis of two versions of INSOMNIA highlight differences in European vs. American approaches to cinema.
Ramping up visual and auditory intoxication to match a growing fever.
An Iranian Canadian critic engages with Farhadi’s films and her own roots.
Identity in the films of Yorgos Lanthimos.
How cinema is given meaning and feeling through the sculpting of time.
Two selections of bests from Australia’s ‘festival of festivals.’
Exploring the macabre, poignant, disturbing images and words of THE PHANTOM CARRIAGE and WILD STRAWBERRIES.
Video Diary #3: ‘When you move on to the next scene with the feeling you really got the one you just finished—there’s nothing like it.’
Or: overcoming the risk of road-movie-making with ingenious shot selection.