SANTA SANGRE deals with childhood traumas that would make the Brothers Grimm blush.
Zhao delivers a new vision of China to a broad American audience.
Paying tribute to Mario Monicelli on his birthday with an ode to frustrated desire.
Or: why Rohmer’s films get only better with repeat viewings, like playing back the memory of a strange encounter, wondering how it might have gone differently.
Breaking the form into types: poetic and argumentative.
How video essays teach principles of filmmaking more effectively than the textbooks.
Remixing media to gain new perspectives.
What are the most pressing questions facing video essayists today?
The uncanny promise in stop-motion masterpiece STREET OF CROCODILES.
Rosenbaum: ‘Each time he’s making a film, it’s as if he’s never made a film before.’