Serge Bromberg, SF Silent Film Festival awardee: ‘It’s like Indiana Jones and the Lost Films.’
‘I don’t quite know where I’m going till I get there. A lot of it is just following what seems funny to me.’
Miguel Gomes on seeking truth, betraying ‘reality’ and presenting a new work at Cannes.
‘Gary, this is Orson Welles. Get over to the Beverly Hills Hotel right away.’
A conversation about suffering, American cinema, loneliness and MY GOLDEN DAYS.
Perpignani: ‘It was very rare that he was satisfied with the first cut.’
‘Life is too short to be a professional.’
‘We stopped looking at political problems as ‘political’ and we started seeing them as ‘moral.’ The consequences of that is a complete blindness to how the world really works.’
Jenni Olson talks preservation, pining and the art of pretend in the making of her literary film essay.
Directors Mike Attie and Meghan O’Hara: ‘It’s an investment in history. They’re trying to understand the soldiers that came before them.’