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Shifting Logic: ARABIAN NIGHTS

February 5, 2016

Miguel Gomes on seeking truth and betraying ‘reality’ with the monumental ARABIAN NIGHTS trilogy.

TOO MUCH JOHNSON: Up for Interpretation

January 31, 2016

‘It’s a what-if exercise:’ Pordenone Silent Film Festival’s Paolo Cherchi Usai speaks on preserving and presenting long-lost reels of Orson Welles.

Amos Gitai: Filmmaker, Architect

January 30, 2016

RABIN, THE LAST DAY and the roots of violence.


January 29, 2016

Matt Johnson, from Sundance: ‘It was just too funny, to make a movie where it seemed like Matt and Owen went into a time machine back to 1969.’

Playing the Part: Amy Seimetz at Sundance

January 28, 2016

Seimetz speaks to commodification, collaboration and THE GIRLFRIEND EXPERIENCE.

Role-play and Robert Greene

January 23, 2016

‘The question is, if you can get that intimacy, what do you do with it?’

Noir City is Our City

January 21, 2016 | One Comment

On the eve of his annual festival, a conversation with ‘Noirchaeologist’ Eddie Muller.

Video: Getting Stoned with Kevin Corrigan

January 20, 2016

Discussed: ‘storytelling mode,’ feeling unseen and Marlon Brando’s hard-boiled eggs.


January 20, 2016

Rob Byrne on How the holy grail of Sherlock Holmes cinema was restored.

Going South: The Ross Brothers on WESTERN

January 20, 2016

The Ross Brothers talk about filming two fractured communities on the Texas-Mexican border.

Politics as Unusual: THE AFTER PARTY Aftermath

January 18, 2016

If you see something, say something: Michael I. Schiller on surveillance and THE AFTER PARTY.

Fernando León de Aranoa’s A PERFECT DAY

January 16, 2016

‘When tension behind the drama is strong, humor is necessary to go through it.’