Articles by Kevin B. Lee
Four film critics share highlights from one of the world’s most exceptionally curated and uniquely enjoyable film events, the nonfiction True/False Film Festival.
Or: why Rohmer’s films get only better with repeat viewings, like playing back the memory of a strange encounter, wondering how it might have gone differently.
The Fab Four get quantified in the classic opening of their breakout film debut.
Who deserves to win? A video essay series applies sense, cinemetrics and subjectivity to the race.
Out of the shadows: rating the contenders in Cinematography.
Which of the contenders asks the most essential question of cinema?
Does it feel programmed by a computer or crafted by human hands?
Does likability matter more than the art of acting in this race?
Who brought depth scene by scene, second by second?
Showstoppers, haunting spells: Taking a look at great actresses in this year’s supporting roles.
To be a dominant actor, you don’t always have to dominate.
Culled from nearly 300 responses via Twitter and Facebook: the best films of the 2010s.