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I Was Possessed by Caveh Zahedi

With Caveh Zahedi, there is no middle ground.

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Features

Cannes Chat: Gomes’ ARABIAN NIGHTS

May 23, 2015

Miguel Gomes on seeking truth, betraying ‘reality’ and presenting a new work at Cannes.

Features

The Unholy Beauty of Jodorowsky’s Bodies

May 23, 2015

SANTA SANGRE deals with childhood traumas that would make the Brothers Grimm blush.

Articles

Jodorowsky: Before, After and SANTA SANGRE

May 22, 2015 | One Comment
SANTA SANGRE

1989’s SANTA SANGRE serves up lurid content with a certain bemusement at its own absurdity.

Features

Gary Graver and Welles’ World

May 21, 2015

‘Gary, this is Orson Welles. Get over to the Beverly Hills Hotel right away.’

Features

How Filmmaker Zhao Qi Brings China to Sundance

May 20, 2015
LAST TRAIN HOME

Zhao delivers a new vision of China to a broad American audience.

Features

The Past Isn’t Past: Arnaud Desplechin

May 18, 2015
MY GOLDEN DAYS

A conversation about suffering, American cinema, loneliness and MY GOLDEN DAYS.

Articles

Gestures: Bertrand Tavernier and Philippe Noiret

May 18, 2015 | One Comment
LET JOY REIGN SUPREME

‘In watching both LET JOY REIGN SUPREME and LIFE AND NOTHING BUT, I’ve come to realize I’ve been sleeping on not one great artist, but two.’

Articles

Art Panic, Revisited

May 17, 2015
GOODBYE TO LANGUAGE

At nearly six months distance, 2014 still stands as a year of irreconcilable sadness, beauty and meta-puzzle-making surrender.

Features

Monicelli’s Dance of Love

May 16, 2015
BOCCACCIO 70

Paying tribute to Mario Monicelli on his birthday with an ode to frustrated desire.

Features

Adam Rifkin Makes a Movie

May 15, 2015

Rifkin talks about Giuseppe Andrews’ one-of-a-kind personal moviemaking industry.

Articles

All Power to the Imagination: Rivette’s OUT 1

May 14, 2015
OUT 1

Like all Rivette works, it’s obsessed with the interrelationship between theater and life, reality and fantasy. And it accomplishes this while evoking the malaise that came in the wake of May ‘68.

Features

Rohmer’s Guessing Gazes

May 14, 2015
A SUMMERS TALE

Or: why Rohmer’s films get only better with repeat viewings, like playing back the memory of a strange encounter, wondering how it might have gone differently.