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Berlinale: New Iranian Cinema

Iran’s next generation filmmakers tackle history, social issues.

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Features

Ira Sachs’ LITTLE MEN on the Move

February 10, 2016

Sachs: ‘All my films find the drama in money and class.’

Articles

CAROL: Ravishment

February 9, 2016

On the correspondences between Haynes’ CAROL and Barthes’ A LOVER’S DISCOURSE.

Features

Video Evidence: Oscar 2016, Best Picture

February 8, 2016 | 4 Comments
THE BIG SHORT

Surely our winner should be the feature-length Hollywood version of a video essay, right?

Articles

The Comic Entomologist: Ettore Scola

February 8, 2016

Character and stylization in Scola’s JEALOUSY ITALIAN STYLE and DOWN AND DIRTY.

Articles

Constantine Giannaris: Taking a Look

February 7, 2016

A Greek filmmaker’s early nineties’ films were made for our time.

Articles

The 16mm Magic of FORT BUCHANAN

February 6, 2016

‘I’m married,’ says one of the wives at one point, ‘I’m just not fanatic.’

Features

Shifting Logic: ARABIAN NIGHTS

February 5, 2016

Miguel Gomes on seeking truth and betraying ‘reality’ with the monumental ARABIAN NIGHTS trilogy.

Features

Video Evidence: Oscar 2016, Best Director

February 5, 2016 | One Comment

Aspiring to the condition of music—or television?

Features

Oscars 2016: Video Evidence

February 5, 2016 | One Comment

Who really deserves to win? Our annual examination, in multiple categories.

Features

Video Evidence: Oscar 2016, Best Cinematography

February 3, 2016 | One Comment
SICARIO

Watch with the sound off and judge for yourself.

Features

Politics as Entertainment

February 2, 2016
A PERFECT CANDIDATE

From PRIMARY to A PERFECT CANDIDATE, the perpetual appeal of campaign docs.

Articles

Outing Sergei Eisenstein

February 1, 2016 | 3 Comments

Peter Greenaway on his EISENSTEIN IN GUANAJUATO.