Mock Up on Mu

Notorious Bay Area kino-renegade Craig Baldwin tops his earlier found-footage operas SPECTRES OF THE SPECTRUM and SONIC OUTLAWS with the rapid-fire pulp serial-cum-political-tract piss-take on California's major industrial complexes: military, entertainment and religious. Hitting upon everything from Satanism to Scientology, the Beats to the jets (propulsion, that is), Baldwin revs-up his characteristic stock footage reappropriations with some live-action scenes of his own, adding an over-the-top pulp flair to the proceedings. The film focuses on three seemingly disparate characters to fuel this secret history of California: Jack Parsons, inventor of solid rocket fuel, founder of the Jet Propulsion Laboratory and Aleister Crowley acolyte; Marjorie Cameron, artist, beatnik and occultist; and L. Ron Hubbard, the science fiction writer turned Scientology founder. Rather than offering straightforward profiles, Baldwin mashes up their histories with archival footage drawn from his vast collection of educational and governmental films, subverting their original narratives (and intent) to his own purposes. His live-action scenes and audio montages blend with these "seized histories," creating a bizarre new form of cinema, a collage narrative where the documentary images of yesteryear lend not truth but poetry, paranoia and fantasy. Arising with demonic force from the twentieth century's accumulated detritus of symbols, the film surveys "the repurposing of the popular imagination in postwar California," according to Baldwin, tracing the "simultaneous rise and convergence of New Age religious cults, the military/aerospace industrial complex and modern-day myths from Disney to certain sci-fi overlords." - Jason Sanders
Synopsis
A radical hybrid of multiple genres, Craig Baldwin's MOCK UP ON MU cobbles together a feature-length "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions and Beat lifestyles. Pulp-serial snippets, industrial-film imagery, and B- (and Z-) fiction clips are intercut with newly shot live-action material, powering a playful, allegorical trajectory through the now-mythic occult matrix of Jack Parsons (founder of the Jet Propulsion Laboratory), L. Ron Hubbard (science fiction author turned cult-leader) and Marjorie Cameron (bohemian artist and "mother of the New Age movement"). Their intertwined tales spin out into a speculative farce on the militarization of space and the corporate take-over of spiritual fulfillment and leisure-time.