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Last of the Mississippi Jukes2003

  • 3.7
Robert Mugge's 2003 music documentary, LAST OF THE MISSISSIPPI JUKES, explores the fading traditions of rural Mississippi juke joints. The blues was first played by itinerant musicians in juke joints on the edge of cotton plantations, later migrating into so-called urban lounges, and regional musicians still practice their craft and entertain their fans in both, as well as in modern blues clubs and casino lounges. The film focuses, in particular, on two well-known Mississippi venues: Jimmy King's legendary Subway Lounge which, for three decades, operated in the basement of the historic, black-owned Summers Hotel in Jackson, Mississippi; and actor Morgan Freeman's and attorney Bill Luckett's Ground Zero Blues Club, a contemporary blues venue in Clarksdale, Mississippi that incorporates the design elements, menu and spirit of a traditional juke. The story of Mississippi jukes is told by blues historians Dick Waterman and Steve Cheseborough, by the club owners, by local politicians and by participating musicians. The musicians also demonstrate styles of blues that originated in the Mississippi Delta and elsewhere around the state. For instance, performing at Ground Zero Blues Club in Clarksdale are Alvin Youngblood Hart with Sam Carr and Anthony Sherrod. Performing at the Subway Lounge in Jackson are Bobby Rush, Chris Thomas King, Vasti Jackson, Patrice Moncell, Eddie Cotton, Greg "Fingers" Taylor, Lucille, Abdul Rasheed, Levon Lindsey, J.T. Watkins, Dennis Fountain, Pat Brown, George Jackson, Steve Cheseborough, Casey Phillips, Jimmy King, David Hughes, Virgil Brawley and the Subway's two alternating house bands: the House Rockers and the King Edward Blues Band. LAST OF THE MISSISSIPPI JUKES looks at the buildings, the landscapes, and the communities where the blues began, and it examines how original blues traditions have evolved over time, carried into a new century by committed musicians and club owners, both in Mississippi and around the world.

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Member Reviews (1)

Being a Blues lover, but no expert, I enjoyed watching this doc. Like the interviews as much as the music. The "rough" feel suits the subject. Had trouble bringing up the volume, however.