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Iterations2014

  • 3.8
Gregg Biermann slices Alfred Hitchcock's REAR WINDOW into nineteen vertical columns, each slightly out of phase with the next, reverberating out from a solitary instant in the temporal center of the work where the entire frame coalesces. The result dissects, illuminates and obscures different aspects of mise-en-scene, cinematography, sound design and editing.

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sandy1

Absolutely brilliant! His films are works of art. This point of view makes this part of the film even more terrifying.