Daphne (Purple Red)2014

DAPHNE (PURPLE RED) uses color both to estrange what the camera sees and to build a new language; an image in which color and form are more important that description. Alternating between geometric and organic forms, with multiple exposures creating the type of color-separation more often seen in print, the film is in counterpoint to an organ recital of an anonymous score, itself seemingly bridging a boundary; this time between Renaissance and Baroque music. - Adam Pugh, Programmer at the Independent Cinema Office