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Coda I2013

  • 2.7
Peter Gidal's structuralist short CODA I is composed of three lines of a thousand-word story he wrote (as read by William Bouroughs in a cut­up tape collage) amidst an ultra-abstract play-of-light through a camera. Gidal describes his "so­called" imagery as "a complex of barely visible cuts in space and time, the opposite of erasure, but nothing so much as visible." - Stela Jelincic

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