Black Sunday1960

B A V A ! ! ! It's a bit ironic that this master of vivid color cinematography launched his directorial career with a black and white movie, and yet the color seems abundant in this gothic-goes-to-the-Drive-In opus. Bava creates a tapestry of shadows, layer after layer of dark images from a palette that ranges from thick walls black to opaque shades of pale grey. This creates a weird pseudo-3D effect that makes the backgrounds seem to reach out beyond the screen. Add the haunting beauty of a 23 year-old actress named Barbara Steele and you have one of the true classics among horror films.

Mario Bava's first feature confirms his reputation as a master of visuals. For a director best known for his use of color, Bava has a striking use of black and white photography. It's almost a shame Bava never made more black and white films. There's gore and blood but this is a film draped in shadows and smoke. This movie has atmosphere for days!

A great film that delightfully scared a young teen. Amazingly, I first saw this movie on television when I was growing up. A Buffalo station, WKBW, ran a Friday night double feature of horror movies and creature features. Black Sunday would have been only a decade old when I first saw it, and it would be almost 40 more years before I saw it again on DVD. Great black and white cinematography, and the memorable Barbara Steele. The first 15 minutes of the movie is so dramatic, the rest of the movie is almost a letdown.

Gothic story of witches, castles and crypts with modern gore and luridness and some of the best black-and-white horror cinematography ever. Actors cast heavy, foreboding shadows as they pass through layers of angular light and shadow where a half step reveals supernatural terror. Scenes writhe in candlelight or are partitioned by veils of smoke, mist or cobwebs. The gouged eyes, stake burning and other horrific violence facing Barbara’s Steele’s menacing beauty are still squirm-worthy 50+ years after release. A really great horror movie.

I am not a fan of horror films. I find corpses rising from their coffins and flesh-eating zombies to be as juvenile as the most insipid Disney products. Truly horrifying, to me, is Ingmar Bergman's THE SERPENT'S EGG; the real evil that men do is truly horrifying. That said, BLACK SUNDAY has beautiful cinematography,mood and atmosphere, and Barbara Steele is enchanting and versatile. 3.8 stars.

If you are in the mood for a period horror film this is fun. The cinematography is very fine.

Loved it!

The gothic atmosphere is kicked up to level 11 in this Bava masterpiece. It's replete with the most delicious black and white cinematography reminiscent of German Expressionism and served with a side of Universal's Dracula sets. To top it off, it's garnished with the graveyard magic of Whale's Frankenstein. Barbara Steel is engrossing as always. Black Sunday is Bava's directorial debut, making it an impressive foray into horror.

This is I believe one of the finest tales of the macabre the lighting the placement and movement of the camera create a sense of fear and fright of aberrations where,this is hard to say in this landscape of shadow and light add Barbra Steele to the story playing two parts one against the other and you have a nightmare to die for.Good Night

Evil should be a little cooler...