Films Klahr
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Elsa Kirk
In the mid-1990s I unearthed photographic contact sheets of different women in a thrift store in the East Village. Only one was named and dated: "Elsa Kirk, Feb 22 ‘63." But all looked like they were from the same photographer and time period. There were twelve images per sheet of these...Watch Movie
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Two Minutes to Zero
A feature-length narrative crime film compressed two different times into two separate films of diminishing duration until the synoptic is synopsized. The imagery has all been "appropriated" (the fancy, art-world-sanctioned term for "stealing") from four issues of an early...Watch Movie
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The Pettifogger
A year in the life of an American gambler and con man circa 1963. A diaristic, first person montage full of glimpses, glances, decaying ephemera and elliptical narrative. An abstract crime film and, like many other crime films involving larceny, a sensorial exploration of the virulence of...Watch Movie
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Lulu
Initially commissioned to accompany a Danish production of Alban Berg’s LULU, Lewis Klahr’s cut-out animation refigures the opera's themes in a torrent of images. With an ever-inventive approach to color and symbol, Klahr distills the title character's moral predicament, along with a great many...Watch Movie
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Two Hours to Zero
A crime story told two different ways concerning the events of a two month period leading up to (and immediately following) a bank robbery. The imagery has all been "appropriated" (the fancy, art-world-sanctioned term for "stealing") from four issues of an early 1960s comic...Watch Movie
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Station Drama
STATION DRAMA is a silent, black-and-white Super-8 film from RIGHT HAND SHADE, the fourth and final section of my twelve film series TALES OF THE FORGOTTEN FUTURE. This section explores via collage cutouts, thematics related to the genres of the bio-pic, home movies and the actuality film. It...Watch Movie
