Maya Deren
Maya Deren (April 29, 1917, Kiev – October 13, 1961, New York City), born Eleanora Derenkowsky (Russian: Элеоно́ра Деренко́вская), was one of the most important American experimental filmmakers and entrepreneurial promoters of the avant-garde in the 1940s and 1950s. Deren was also a choreographer, dancer, film theorist, poet, lecturer, writer and photographer. The function of film, Maya believed, like most art forms, was to create an experience; each one of her films would evoke new conclusions, lending her focus to be dynamic and always-evolving. She combined her interests in dance, voodoo and subjective psychology in a series of surreal, perceptual, black and white short films. Using editing, multiple exposures, jump cutting, superimposition, slow-motion and other camera techniques to her fullest advantage, Deren creates continued motion through discontinued space, while abandoning the established notions of physical space and time, with the ability to turn her vision into a stream of consciousness. Perhaps one of the most influential experimental films in American cinema was her collaboration with Alexander Hammid on Meshes of the Afternoon.
Writer
-
At Land
AT LAND begins at sea. In the film's stunning opening sequence, a woman (played by filmmaker Maya Deren) emerges on shore, climbs up a pile of driftwood... and finds herself in the middle of a formal banquet. She then moves from lush, verdant jungles to seaweed-strewn beaches, stealing chess...Watch Movie
-
Meshes of the Afternoon
One of the most important films in the history of American avant-garde cinema, Maya Deren's MESHES OF THE AFTERNOON is captivating and dream-like, filled with tinges of psychodrama, murder mystery, and film noir. In a seemingly ordinary Los Angeles home, the film's...Watch Movie
Actor
-
At Land
AT LAND begins at sea. In the film's stunning opening sequence, a woman (played by filmmaker Maya Deren) emerges on shore, climbs up a pile of driftwood... and finds herself in the middle of a formal banquet. She then moves from lush, verdant jungles to seaweed-strewn beaches, stealing chess...Watch Movie
-
Meshes of the Afternoon
One of the most important films in the history of American avant-garde cinema, Maya Deren's MESHES OF THE AFTERNOON is captivating and dream-like, filled with tinges of psychodrama, murder mystery, and film noir. In a seemingly ordinary Los Angeles home, the film's...Watch Movie
-
In the Mirror of Maya Deren
With IN THE MIRROR OF MAYA DEREN, documentary filmmaker Martina Kudlácek has fashioned not only fascinating portrait of a groundbreaking and influential artist but a pitch-perfect introduction to her strikingly beautiful and poetic body of work. Maya Deren is arguably the most...Watch Movie
-
Ritual in Transfigured Time
Elusive and enigmatic, RITUAL IN TRANSFIGURED TIME begins with its director, the avant-garde pioneer filmmaker Maya Deren, winding a seemingly endless skein of yarn. She is joined by a young woman (the Trinidadian dancer Rita Christiani, one of Deren’s closest friends) who is...Watch Movie
Director
-
At Land
AT LAND begins at sea. In the film's stunning opening sequence, a woman (played by filmmaker Maya Deren) emerges on shore, climbs up a pile of driftwood... and finds herself in the middle of a formal banquet. She then moves from lush, verdant jungles to seaweed-strewn beaches, stealing chess...Watch Movie
-
Meshes of the Afternoon
One of the most important films in the history of American avant-garde cinema, Maya Deren's MESHES OF THE AFTERNOON is captivating and dream-like, filled with tinges of psychodrama, murder mystery, and film noir. In a seemingly ordinary Los Angeles home, the film's...Watch Movie
-
A Study in Choreography for Camera
"If I did not live in a time when film was accessible to me as a medium, I would have been a dancer, perhaps, or a singer," the filmmaker Maya Deren once said. "But this is a much more marvelous dance. In film, I can make the world dance!" After college, Deren landed her first...Watch Movie
-
Divine Horsemen
In 1946, Maya Deren was the first filmmaker ever awarded an artistic Guggenheim grant. With the $3,000 prize money, she traveled to Haiti, a country she would visit four times and where she would spend a total of nearly two years. Deren was the first known white woman to became a high priestess...Watch Movie
-
Ritual in Transfigured Time
Elusive and enigmatic, RITUAL IN TRANSFIGURED TIME begins with its director, the avant-garde pioneer filmmaker Maya Deren, winding a seemingly endless skein of yarn. She is joined by a young woman (the Trinidadian dancer Rita Christiani, one of Deren’s closest friends) who is...Watch Movie
-
Meditation on Violence
Haunting Chinese flute and Haitian drums accompany a graceful, elegant dance performance by Chao-Li Chi in Maya Deren's MEDITATION ON VIOLENCE. The film was released following the publication of her book, "An Anagram of Ideas on Art, Form and Film", and her winning the Grand...Watch Movie
Editor
-
Meshes of the Afternoon
One of the most important films in the history of American avant-garde cinema, Maya Deren's MESHES OF THE AFTERNOON is captivating and dream-like, filled with tinges of psychodrama, murder mystery, and film noir. In a seemingly ordinary Los Angeles home, the film's...Watch Movie
-
A Study in Choreography for Camera
"If I did not live in a time when film was accessible to me as a medium, I would have been a dancer, perhaps, or a singer," the filmmaker Maya Deren once said. "But this is a much more marvelous dance. In film, I can make the world dance!" After college, Deren landed her first...Watch Movie
-
Meditation on Violence
Haunting Chinese flute and Haitian drums accompany a graceful, elegant dance performance by Chao-Li Chi in Maya Deren's MEDITATION ON VIOLENCE. The film was released following the publication of her book, "An Anagram of Ideas on Art, Form and Film", and her winning the Grand...Watch Movie
Cinematographer
-
A Study in Choreography for Camera
"If I did not live in a time when film was accessible to me as a medium, I would have been a dancer, perhaps, or a singer," the filmmaker Maya Deren once said. "But this is a much more marvelous dance. In film, I can make the world dance!" After college, Deren landed her first...Watch Movie
-
Divine Horsemen
In 1946, Maya Deren was the first filmmaker ever awarded an artistic Guggenheim grant. With the $3,000 prize money, she traveled to Haiti, a country she would visit four times and where she would spend a total of nearly two years. Deren was the first known white woman to became a high priestess...Watch Movie
-
Meditation on Violence
Haunting Chinese flute and Haitian drums accompany a graceful, elegant dance performance by Chao-Li Chi in Maya Deren's MEDITATION ON VIOLENCE. The film was released following the publication of her book, "An Anagram of Ideas on Art, Form and Film", and her winning the Grand...Watch Movie
Story
-
Divine Horsemen
In 1946, Maya Deren was the first filmmaker ever awarded an artistic Guggenheim grant. With the $3,000 prize money, she traveled to Haiti, a country she would visit four times and where she would spend a total of nearly two years. Deren was the first known white woman to became a high priestess...Watch Movie
-
Meditation on Violence
Haunting Chinese flute and Haitian drums accompany a graceful, elegant dance performance by Chao-Li Chi in Maya Deren's MEDITATION ON VIOLENCE. The film was released following the publication of her book, "An Anagram of Ideas on Art, Form and Film", and her winning the Grand...Watch Movie
Source:
Maya Deren on
Freebase, licensed under
CC-BY
Other content from Wikipedia, licensed under CC BY-SA
Other content from Wikipedia, licensed under CC BY-SA