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Daily | Art of the Real 2015

April 9, 2015

“A platform for filmmakers and artists who have given us a wider view of nonfiction cinema.” Updated through 4/25.

Daily | Godard, Welles, Sinclair

February 27, 2015
Jean-Luc Godard

Plus: Reverse Shot launches a symposium and the new Cineaste is out.

Daily | Berlinale 2015 Lineup, Round 9

January 16, 2015

Panorama, classics, shorts and posters.

The Edit: All the Time in the World

January 14, 2014

What the teenage lyricism of PAVILION and ONLY THE YOUNG owe to skate videos.

The Ten Best Shots of the Year

December 10, 2013 | One Comment

The year’s most magnificent shots manage to encapsulate their films’ key themes and subtexts in a singular moment.

The Absolute Best (and Worst) of Nearly Everything MMXIII

December 6, 2013 | 3 Comments

The motion-picture-not-including-television edition.

Daily | Unknown Pleasures 2014 Lineup

December 2, 2013
The Immigrant

In Berlin, 2014 is going to be getting off to a very good start.

Daily | Art, Film, and This Long Century

November 6, 2013
Louise Bourgeois

A terrific special section in the Brooklyn Rail, plus today’s news and views.

Daily | Matt Porterfield’s I USED TO BE DARKER

October 4, 2013
I Used to Be Darker

“Porterfield has moved closer to the people he’s interested in.” Updated through 11/1.

Porterfield’s Panoramic View

October 3, 2013

Notes on space in Matt Porterfield’s PUTTY HILL as the director’s new I USED TO BE DARKER hits the big screen.

DARKER and Darker

October 2, 2013

On Matt Porterfield and the trio-plus-one.

Indie Film Anthropology

July 29, 2013

SLACKER and its legacy: On the specific, self-aware documentary truth of the low-budget American film.