Perhaps the first step toward considering female characters as ‘just people’ is to read their stories differently.
Airing out the films and ideas stifled by the Blacklist in RED HOLLYWOOD.
Lizzani smuggled political commentary into popular genre films with revolutionary flair.
In a century defined by two powerful eras of Hollywood studio moviemaking, Kurosawa is a centrifugal force in the valley between.
Home-movie maestro Ephraim Horowitz takes his place in film history.
WORLD ON A WIRE: cryogenically frozen, but still fresh.
‘I can’t think of anything cheesier than an actor writing two memoirs.’
On a valuable collection of materials on (and by) Macedonia’s most successful filmmaker, Milcho Manchevski.
It’s fascinating to trace Raynal’s career trajectory from film editor for French New Wave directors to her legendary programming in New York.
On John Wayne’s rocky road to full-fledged stardom.