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The Edit: All the Time in the World

January 14, 2014
ONLY THE YOUNG

What the teenage lyricism of PAVILION and ONLY THE YOUNG owe to skate videos.

The Ten Best Shots of the Year

December 10, 2013 | One Comment
PASSION

The year’s most magnificent shots manage to encapsulate their films’ key themes and subtexts in a singular moment.

The Absolute Best (and Worst) of Nearly Everything MMXIII

December 6, 2013 | 3 Comments
BASTARDS

The motion-picture-not-including-television edition.

Daily | Unknown Pleasures 2014 Lineup

December 2, 2013
The Immigrant

In Berlin, 2014 is going to be getting off to a very good start.

Daily | Art, Film, and This Long Century

November 6, 2013
Louise Bourgeois

A terrific special section in the Brooklyn Rail, plus today’s news and views.

Daily | Matt Porterfield’s I USED TO BE DARKER

October 4, 2013
I Used to Be Darker

“Porterfield has moved closer to the people he’s interested in.” Updated through 11/1.

Porterfield’s Panoramic View

October 3, 2013
PUTTY HILL

Notes on space in Matt Porterfield’s PUTTY HILL as the director’s new I USED TO BE DARKER hits the big screen.

DARKER and Darker

October 2, 2013
I USED TO BE DARKER

On Matt Porterfield and the trio-plus-one.

Indie Film Anthropology

July 29, 2013
SLACKER

SLACKER and its legacy: On the specific, self-aware documentary truth of the low-budget American film.

Daily | Senses 67 + Choice Viewing

July 8, 2013
Chung Kuo: Cina

Trailers, clips, a video essay, and an oral history are interspersed throughout this latest batch of news and views.

Daily Buzz at Cannes

May 31, 2013
NIGEL SMITH, ERIC KOHN, BRIAN BROOKS, JADA YUAN

Film Society of Lincoln Center’s Eugene Hernandez podcasts live Cannes 2013 highlights.

Daily | Cannes 2013 | Jeremy Saulnier’s BLUE RUIN

May 20, 2013
Blue Ruin

This “deft, thrilling genre film” is also a crowd-funding success story. Updated through 5/25.