What the teenage lyricism of PAVILION and ONLY THE YOUNG owe to skate videos.
The year’s most magnificent shots manage to encapsulate their films’ key themes and subtexts in a singular moment.
The motion-picture-not-including-television edition.
In Berlin, 2014 is going to be getting off to a very good start.
A terrific special section in the Brooklyn Rail, plus today’s news and views.
“Porterfield has moved closer to the people he’s interested in.” Updated through 11/1.
Notes on space in Matt Porterfield’s PUTTY HILL as the director’s new I USED TO BE DARKER hits the big screen.
On Matt Porterfield and the trio-plus-one.
SLACKER and its legacy: On the specific, self-aware documentary truth of the low-budget American film.
Trailers, clips, a video essay, and an oral history are interspersed throughout this latest batch of news and views.