Will a Padilha-style beating be good for American cinema?
On embracing the beautiful ambiguity of adulthood with one of the most stunningly subtle finales in recent American cinema.
On the ultimate inciting incident and its recurrence in movies.
His innovations are the most pervasive in modern filmmaking; his body of work is arguably the most studied; and his bittersweet legend is both a warning and a challenge to all aspiring directors.
At the height of the feminist movement, Eastwood became the model of masculinity.
Martin Scorsese has proved to be one of cinema’s greatest artists and toughest champions.
Her career made her a true role model for women in the film industry, and her incomparable screen performances left the sharpest images of forthrightness ever presented on screen.
Fifty films essential to understanding Iranian cinema.
Playing a series of flipped-out villains turned Hopper into an eccentric character actor, obscuring the magnitude of his influence.
Pickford was not the result of a star system, she was its genesis.
Peter Watkins’ film is rather like entering a four-dimensional gallery of digital notecards, befuddling then exhausting and finally immensely rewarding.
Few have ever matched the style of the teenage scenarist who literally set the tone of movie dialogue.