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An Enduring Horror: Conjuring CALIGARI

October 31, 2014

How can THE CABINET OF DR. CALIGARI still be so frightening after all this time?

Starting Over: Three Ways to (Try to) Change Your Life

October 30, 2014
THE NAKED KISS

On the kingdom of second chances and the impossibility of escaping fate.

Noir: The Horror Film’s Kissing Cousin

October 29, 2014
CAT PEOPLE

On pairing the loneliness and lovely negativity of horror and noir for your Halloween entertainment.

Nathan Silver and the Limits of Control

October 27, 2014
UNCERTAIN TERMS

One of America’s recent microbudget filmmaking all-stars, Nathan Silver brings a cast of characters careening forth into the world.

CARNIVAL OF SOULS’ Supernatural Limbo

October 26, 2014
CARNIVAL OF SOULS

While other horror films of the era relied on crackpot psychology, CARNIVAL OF SOULS embodies a state of distress—with singular results.

Nuclear Nightmares, Mapped: Peter Watkins’ THE JOURNEY

October 25, 2014

Watkins’ 873-minute global documentary focuses on nuclear proliferation and unmasks why we can’t envision a better, safer world.

Suspense, Sadism and Dario Argento

October 23, 2014
SUSPIRIA

Argento uses cinema not to spy on and catch a killer, but to become the ‘sick’ embodiment of homicidal insanity itself.

Empathy, Irony and Heddy Honigmann

October 22, 2014
FOREVER

On spontaneity and performance in Heddy Honigmann’s documentaries.

The Insiders: Laura Poitras and Edward Snowden

October 20, 2014 | One Comment
CITIZENFOUR

CITIZENFOUR pulls back the curtain on the Edward Snowden affair.

Where the Action Is: Justified Men

October 19, 2014

Why people watch Liam Neeson and Denzel Washington movies.

Superheroes Are for the Birds

October 19, 2014
BIRDMAN

On the Super and not-so-super men of cinema.

The Rare Vampire Film of its Era: BLOOD IS THE COLOR OF THE NIGHT

October 17, 2014
BLOOD COLOR NIGHT

Shot in full color, this supernatural soap opera climaxes with more high Catholic pageantry than you’d find at a cathedral on Palm Sunday.