For a filmmaker as attracted to ‘difficult’ stories, production challenges and personalities, Klaus Kinski constituted a near fatal attraction.
What a look back at Atomic Age industrials tells us about the perils of protecting our children.
Swanberg’s best film to date is an answer to his critics—and much more.
A look at J.P. Sniadecki as ‘Art of the Real’ puts the focus on Sensory Ethnography Lab.
‘The press wanted to know: What exactly is Herzog doing in the South American jungle?’
Youssef Chahine’s scathing look at societal breakdown in Egypt feels more prescient than ever.
A scattershot filmography doesn’t tell the whole story of Curtis Harrington’s thoughtful life and studied aesthetic.
Mysterious women, voodoo entities, wanderings, dreams, pursuits: Curtis Harrington was master of his own magic act.
How the lyrical, hand-held, verité-styled approach of TCHOUPITOULAS captures a mood and a moment.
Enterprising, prolific and notorious, Pete Walker and Norman J. Warren departed from Hammer’s penchant for period Gothic terror in favor of modern-day settings with ramped-up doses of sex and violence.
The Greek documentary film fest takes on the gender divide.
And it’s no business of ours to ask this GREY GARDENS-style figure wherefore and why.