Articles by Kevin B. Lee
LI’L QUINQUIN’s Lisa Hartmann makes ‘’Cause I Knew’ as unforgettable as the four-part serial itself.
The very best film of the year opens a way for us to see out of the cinema we already know into one that’s yet to come.
Slippery states of transcendence: one search leads to another.
It’s been a remarkable year for breakout filmmakers.
Reading the memorable moments in Josephine Decker’s promising new films.
A three-pronged approach to one troubling, moving immigration story, from Honduras to the Mexican desert, with Gael Garcia Bernal.
Seeing THE CABINET OF DR. CALIGARI through the eyes of social and cultural critic Siegfried Kracauer.
Sita swoons to a Jazz Age Ramayana in Nina Paley’s SITA SINGS THE BLUES.
It’s big. It’s complex. It’s abstract. So how do you make a movie about the economy?
The public record of a suppressed tragedy earns its six-hour runtime with immersion in a community’s grief.