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"Peter Greenaway has the most inscrutable, brilliant and possibly deranged mind in modern cinema." - Desson Howe, Washington Post
A mocking parody of the fictional Institute of Reclamation and Restoration’s several attempts to reconstruct (Peter Greenaway alter-ego) Tulse Luper’s study of the aesthetic and ecological significance of various trees, posts and poles on the English landscape. Greenaway shows an innovative use of sound to image and a display of wit that mixes sensible nonsense and earnest understatement. VERTICAL FEATURES REMAKE also features an evocative score by Michael Nyman.
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Water Wrackets
Landscape becomes the central performer and only actor in this rare, mystical short that was Peter Greenaway’s first experiment with the fantastic. WATER WRACKETS’ vast wilderness landscape and soothing soundtrack of babbling brooks vividly recount the battles won and lost by the mythical WATER WRACKETS Army.Start your free trial to watch
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A Walk Through H
One man’s "hell" is another man’s "heaven" in what has been described as ”one of the best British movies of the decade.” A WALK THROUGH H traverses a series of ninety-two maps, painted by filmmaker Peter Greenaway himself, that guide a deceased ornithologist into the afterlife. Reoccurring motifs of...Start your free trial to watch
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H is for House
Returning to the house in his earlier film WINDOWS, Peter Greenaway demonstrates his love of the English countryside and displays a distinctive (if rare) autobiographical self with H IS FOR HOUSE. Envisioned as a living, breathing dictionary on film, this epistemological survey of the letter “H” represents Greenaway at his...Start your free trial to watch
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Dear Phone
In these thirteen accounts about the uses and misuses of the telephone, Peter Greenaway attempts to thwart and distort the philosophical notion of a “writers cinema” into what is pure Greenaway: teasing, eccentric and delightfully surreal. Featuring the quintessentially English red phone booth in an iconic performance and an...Start your free trial to watch
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I am forever going to be re-assessing Vertical Features Remake (1, 2...). I swear Mr. Greenaway is having way too much fun with cinema.