RocketKitKongoKit
Directed by: Craig Baldwin
year: 1986 30 minutes
This kaleidoscopic, amphetamine-paced tour de force uses a barrage of found-footage images and rapid-fire narration to trace a history of Zaire since its independence in 1960. The CIA, German munitions manufacturers and American popular culture are all indicted in this comic critique of neo-colonialism. Centering on President Mobutu's lease of 1/0 of the country's total land area to a West German rocket firm, the film explores both the explicit and implicit historical contradictions that this astonishing arrangement poses and is posed by. With sources of imagery ranging from corporate advertising through 1950s instructional films to Tarzan flicks and musical components oscillating between aboriginal sounds to contemporary electronic compositions, a critical irony is established between the several voice-over discourses and an energetic montage of "found" visuals. Self-reflexively ordered like a plastic model kit, the film perhaps proposes another, more imaginative model of historiography.
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A radical hybrid of multiple genres, MOCK UP ON MU cobbles together a "collage-narrative" based on (mostly) true stories of California's post-War sub-cultures of rocket pioneers, alternative religions and Beat lifestyles.
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Within days after the release of Negativland's clever parody of U2 and Casey Kasem, recording industry giant Island Records descended upon the band with a battery of lawyers intent on erasing the piece from the history of rock music.
Spectres of the Spectrum
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Craig Baldwin’s “pseudo-pseudo-documentary” presents a factual chronicle of U.S. intervention in Latin America in the form of the ultimate far-right conspiracy theory.
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This black-comic Conquistador chronicle aggressively reconstructs the 1540 Spanish invasion of those Pueblo Indian lands now known as the American Southwest.
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