Using extensive rear projection to remarkable effect (actors, in color, against black and white backgrounds and all photographed in high definition), Mark Rappaport evocatively plays with the themes of noir while contemporizing the stakes involved. In EXTERIOR NIGHT, there is no past. There is no present. There is only the inevitable now.
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Interesting concept. Althought I frequently got lost in all the oneiric metaphysics of the plot.
Oh, dear. This movie got the thumbs down from my German class. We felt it was very amateuristic and slow.
Interesting combination of a dream and the interaction of the hero's father,grandfather and the women that they loved. The film is a mixture of B&W and vivid colors of the dream state.