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After garnering widespread acclaim with his mini-masterpiece THE HEART OF THE WORLD, Canadian cult auteur Guy Maddin concocted his most ravishingly stylized cinematic creation to date. Beautifully transposing the Royal Winnipeg Ballet’s interpretation of Bram Stoker’s classic vampire yarn from stage to screen, Maddin has forged a sumptuous, erotically charged feast of dance, drama and shadow. The black-and-white, blood-red-punctured DRACULA: PAGES FROM A VIRGIN’S DIARY is a Gothic grand guignol of the notorious Count and his bodice-ripped victims, fringed with the expressionistic strains of Gustav Mahler.
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It was OK! Had a few extra steps. The Count and Lucy dancing and she reaches for his pants!!