Alice Guy-Blanché frames the making of a “phonoscène” (a forerunner to sound film) as a kind of Russian nesting doll, with a well-lit scene taking place within the darkened activity of its mechanical reproduction. The camera stays in the shadows, slowly panning as the crew readies itself to film a courtly dance against a flat backdrop that loses all verisimilitude from Guy-Blanché’s angle. Interestingly, women operate the phonograph while men duck under the camera’s dark cloth. Anticipating structuralist and verité tactics, Guy-Blanché’s lucid short is an early instance of someone pulling back the curtain on cinema.
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Extremely rare behind-the-scenes footage of early innovations in motion pictures. Thanks to Fandor and others for highlighting the often ignored contributions of Alice Guy to early film development.



