Doesn't work as an abstraction, doesn't work as some sort of environmental statement, in 3 words, IT DOES NOT WORK. Sorry, that's four words, more than this short deserves
Shambhavi Kaul's cinematic constructions conjure uncanny, science-fictive non-places. Described as creating “zones of compression and dispersion,” her work utilizes strategies of montage and recirculation, inviting an affective response while simultaneously measuring our capacity to know what we encounter. She has exhibited her work worldwide at venues such as the Berlinale, the Toronto International Film Festival, The New York Film Festival, the International Film Festival Rotterdam, The Edinburgh International Film Festival, Internationale Kurzfilmtage Oberhausen, the Ann Arbor Film Festival and Experimenta India among others. Shambhavi Kaul was born in Jodhpur, India and currently lives in India and the United States.
[bio courtesy of the filmmaker]
Scene 32SCENE 32 maps the terrain that lies between a beloved place and the things that represent it. The salt fields of Central Kutch are examined through High Definition video and hand processed 16mm film to become another thing altogether: neither a specific location in India nor its representation...Watch Movie
Place for LandingA household landscape of mirrors. A child and its reflection are inscribed in a shadowy lunar patchwork. The camera switches its optical pursuit: the child disappears and a bird emerges. The surveying mirror implodes or explodes into space. Its mottled hallway glass both...Watch Movie