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‘White Zombie:’ Take in Bela Lugosi’s eyes, which no special effects can match for their indescribable power.
“Sober, intense, closer in feel to the 1970s historical films of Werner Herzog.”
“Gray is moving towards something new.”
A “pseudo-detective film at once burlesque and jabbing.”
‘Salvo’ takes not one but two prizes. Updated through 5/24.
The maker of Cannes film NORTE, THE END OF HISTORY, talks about taking time in an all-too-impatient world.
