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Lech Majewski’s ‘The Mill and the Cross’ shares key methods and motifs with earlier works.
A “deranged and delirious smorgasbord of a movie.”
“It’s hard to imagine many audiences warming to these bourgeois folks.”
A “gentle and sentimental mirror image of ‘La Dolce Vita’ for the present age.”
On the most beguiling moment in the first Ebertfest to take place without its founder.
“The most bigscreen-worthy film that Soderbergh has made since ‘Che’” will, of course, debut on HBO.
