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		<title>Documentary Unbound: Actuality, Actually</title>
		<link>http://www.fandor.com/blog/documentary-unbound-actuality-actually</link>
		<comments>http://www.fandor.com/blog/documentary-unbound-actuality-actually#comments</comments>
		<pubDate>Tue, 02 Apr 2013 22:32:48 +0000</pubDate>
		<dc:creator>Max-Goldberg</dc:creator>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=42820</guid>
		<description><![CDATA[Artists working on either side of the digital divide explore the lyrical allure of the 'actuality' film.]]></description>
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		<slash:comments>1</slash:comments>
	    <creator_name>
      Max Goldberg    </creator_name>
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		<title>Video: Chicago Underground, Unleashed</title>
		<link>http://www.fandor.com/blog/video-chicago-underground-unleashed</link>
		<comments>http://www.fandor.com/blog/video-chicago-underground-unleashed#comments</comments>
		<pubDate>Mon, 04 Mar 2013 23:13:44 +0000</pubDate>
		<dc:creator>nelson_carvajal</dc:creator>
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		<category><![CDATA[FILM_129]]></category>
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		<category><![CDATA[independent film]]></category>
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		<category><![CDATA[kenneth_anger]]></category>
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		<category><![CDATA[underground film]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=38829</guid>
		<description><![CDATA[Festival director Bryan Wendorf speaks on native formats, archival classics and his embrace of digital.]]></description>
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	    <creator_name>
      Nelson Carvajal    </creator_name>
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		<title>The Film 100: Eadweard Muybridge, no. 34</title>
		<link>http://www.fandor.com/blog/the-film-100-eadweard-muybridge-no-34</link>
		<comments>http://www.fandor.com/blog/the-film-100-eadweard-muybridge-no-34#comments</comments>
		<pubDate>Mon, 25 Feb 2013 16:00:11 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[andré_bazin]]></category>
		<category><![CDATA[eadweard_muybridge]]></category>
		<category><![CDATA[FILM_2072]]></category>
		<category><![CDATA[FILM_3507]]></category>
		<category><![CDATA[laurie_dickson]]></category>
		<category><![CDATA[linwood_gale_dunn]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[shorts]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=38104</guid>
		<description><![CDATA[Muybridge's persistent spirit wrestled with a basic limitation in photography, finally uncovering a revolutionary new way of bringing images together to create something quite magical. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<title>Coloring Inside the Lines?</title>
		<link>http://www.fandor.com/blog/coloring-inside-the-lines</link>
		<comments>http://www.fandor.com/blog/coloring-inside-the-lines#comments</comments>
		<pubDate>Thu, 21 Feb 2013 21:16:38 +0000</pubDate>
		<dc:creator>MarilynFerdinand</dc:creator>
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		<category><![CDATA[animation]]></category>
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		<category><![CDATA[cut-out animation]]></category>
		<category><![CDATA[disney]]></category>
		<category><![CDATA[FILM_1985]]></category>
		<category><![CDATA[FILM_2152]]></category>
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		<category><![CDATA[john_lasseter]]></category>
		<category><![CDATA[nina_paley]]></category>
		<category><![CDATA[shorts]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=38099</guid>
		<description><![CDATA[CG or not CG: conformity vs. creativity in film animation. ]]></description>
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		<slash:comments>2</slash:comments>
	    <creator_name>
      Marilyn Ferdinand    </creator_name>
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		<title>The Film 100: Walt Disney, no. 7</title>
		<link>http://www.fandor.com/blog/the-film-100-walt-disney-no-7</link>
		<comments>http://www.fandor.com/blog/the-film-100-walt-disney-no-7#comments</comments>
		<pubDate>Thu, 07 Feb 2013 22:50:10 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[alfred_hitchcock]]></category>
		<category><![CDATA[animation]]></category>
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		<category><![CDATA[online]]></category>
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		<category><![CDATA[steven_spielberg]]></category>
		<category><![CDATA[walt_disney]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=36785</guid>
		<description><![CDATA[Disney's competitive drive and unflagging standards set a benchmark for quality in family entertainment. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<title>Dancing in Unexpected Places</title>
		<link>http://www.fandor.com/blog/dancing-in-unexpected-places</link>
		<comments>http://www.fandor.com/blog/dancing-in-unexpected-places#comments</comments>
		<pubDate>Mon, 07 Jan 2013 14:00:11 +0000</pubDate>
		<dc:creator>Max-Goldberg</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
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		<category><![CDATA[archives]]></category>
		<category><![CDATA[ben_russell]]></category>
		<category><![CDATA[claire_denis]]></category>
		<category><![CDATA[damien_chezelle]]></category>
		<category><![CDATA[dance]]></category>
		<category><![CDATA[FILM_1133]]></category>
		<category><![CDATA[film_1489]]></category>
		<category><![CDATA[FILM_2132]]></category>
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		<category><![CDATA[FILM_238]]></category>
		<category><![CDATA[FILM_3023]]></category>
		<category><![CDATA[FILM_3032]]></category>
		<category><![CDATA[FILM_659]]></category>
		<category><![CDATA[FILM_704]]></category>
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		<category><![CDATA[maya_deren]]></category>
		<category><![CDATA[movies]]></category>
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		<category><![CDATA[online]]></category>
		<category><![CDATA[rudy_burckhardt]]></category>
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		<category><![CDATA[william_k_l_dickson]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=32894</guid>
		<description><![CDATA[While the web moved Gangnam and Girl Walk style in 2012, a century's worth of cinema finds dance in yet more surprising places.]]></description>
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		<slash:comments>1</slash:comments>
	    <creator_name>
      Max Goldberg    </creator_name>
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		<item>
		<title>The Year in Film 2012: Afterthoughts, Events, Surprises</title>
		<link>http://www.fandor.com/blog/the-year-in-film-2012-afterthoughts-events-surprises</link>
		<comments>http://www.fandor.com/blog/the-year-in-film-2012-afterthoughts-events-surprises#comments</comments>
		<pubDate>Mon, 31 Dec 2012 14:20:43 +0000</pubDate>
		<dc:creator>susie</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[abbas_kiarostami]]></category>
		<category><![CDATA[abel_gance]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[claire_denis]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[michael_haneke]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[restorations]]></category>
		<category><![CDATA[rodney_ascher]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31755</guid>
		<description><![CDATA[Cinema, dead? Not so fast. Keyframe contributors find magic in live events and restorations. But live audiences? That's another story. ]]></description>
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		<slash:comments>4</slash:comments>
	    <creator_name>
      Susan Gerhard    </creator_name>
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		<item>
		<title>The Film 100: W.K. Laurie Dickson, no. 1</title>
		<link>http://www.fandor.com/blog/the-film-100-w-k-laurie-dickson-no-1</link>
		<comments>http://www.fandor.com/blog/the-film-100-w-k-laurie-dickson-no-1#comments</comments>
		<pubDate>Fri, 28 Dec 2012 23:00:52 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[dw_griffith]]></category>
		<category><![CDATA[eadweard_muybridge]]></category>
		<category><![CDATA[edwin_s_porter]]></category>
		<category><![CDATA[Ephemera]]></category>
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		<category><![CDATA[FILM_659]]></category>
		<category><![CDATA[FILM_702]]></category>
		<category><![CDATA[FILM_712]]></category>
		<category><![CDATA[FILM_714]]></category>
		<category><![CDATA[FILM_715]]></category>
		<category><![CDATA[FILM_730]]></category>
		<category><![CDATA[FILM_734]]></category>
		<category><![CDATA[FILM_744]]></category>
		<category><![CDATA[FILM_746]]></category>
		<category><![CDATA[mabel_normand]]></category>
		<category><![CDATA[mack_sennett]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
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		<category><![CDATA[thomas_edison]]></category>
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		<category><![CDATA[william_kl_dickson]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31647</guid>
		<description><![CDATA[Working deep within the shadow of Thomas Edison, America’s icon of ingenuity, Dickson advanced each of the critical processes that would show the world the wonder of movies. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>Video: Essential Online Videos of 2012</title>
		<link>http://www.fandor.com/blog/video-essential-online-videos-of-2012</link>
		<comments>http://www.fandor.com/blog/video-essential-online-videos-of-2012#comments</comments>
		<pubDate>Wed, 26 Dec 2012 14:09:46 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
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		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Ephemera]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[new york]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[online videos]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[youtube]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31432</guid>
		<description><![CDATA[Gangnam who? Watch these five must-see videos that are truly revealing reflections of our reality, a world of private lives made public. ]]></description>
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		<slash:comments>1</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<title>The Film 100: Auguste and Louis Lumière, no. 61</title>
		<link>http://www.fandor.com/blog/the-film-100-auguste-and-louis-lumiere-no-61</link>
		<comments>http://www.fandor.com/blog/the-film-100-auguste-and-louis-lumiere-no-61#comments</comments>
		<pubDate>Tue, 25 Dec 2012 16:00:54 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
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		<category><![CDATA[FILM_1701]]></category>
		<category><![CDATA[george_melies]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31608</guid>
		<description><![CDATA[By developing a single-unit device that was portable, the Lumières were able to document the outside world in moving pictures. ]]></description>
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		<slash:comments>1</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<title>The Film 100: Mack Sennett, no. 95</title>
		<link>http://www.fandor.com/blog/the-film-100-mack-sennett-no-95</link>
		<comments>http://www.fandor.com/blog/the-film-100-mack-sennett-no-95#comments</comments>
		<pubDate>Sun, 23 Dec 2012 17:00:55 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[spotlight_kings_of_silent_comedy_130416]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31440</guid>
		<description><![CDATA[Sennett comedies developed a distinct style: devoid of logic, full of anarchy, completely over the top.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-mack-sennett-no-95/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Film 100: Winsor McCay, no. 36</title>
		<link>http://www.fandor.com/blog/the-film-100-winsor-mccay-no-36</link>
		<comments>http://www.fandor.com/blog/the-film-100-winsor-mccay-no-36#comments</comments>
		<pubDate>Thu, 13 Dec 2012 22:00:02 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[edwin_s_porter]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[film_1513]]></category>
		<category><![CDATA[FILM_2152]]></category>
		<category><![CDATA[FILM_900]]></category>
		<category><![CDATA[j_stuart_blackton]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
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		<category><![CDATA[watch]]></category>
		<category><![CDATA[winsor_mccay]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=30525</guid>
		<description><![CDATA[Winsor McCay found the wonders of animation a challenging diversion from his daily drawing, and the film industry found itself the perfect pitchman. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-winsor-mccay-no-36/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>This Is 45: A Year in Keyframe Video Essays</title>
		<link>http://www.fandor.com/blog/this-is-45-a-year-in-keyframe-video-essays</link>
		<comments>http://www.fandor.com/blog/this-is-45-a-year-in-keyframe-video-essays#comments</comments>
		<pubDate>Thu, 13 Dec 2012 14:00:11 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[bela_tarr]]></category>
		<category><![CDATA[FILM_2128]]></category>
		<category><![CDATA[FILM_2129]]></category>
		<category><![CDATA[FILM_2917]]></category>
		<category><![CDATA[FILM_41]]></category>
		<category><![CDATA[FILM_772]]></category>
		<category><![CDATA[FILM_818]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[matthew_porterfield]]></category>
		<category><![CDATA[michael_haneke]]></category>
		<category><![CDATA[miklós_jancsó]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[video essay]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=29660</guid>
		<description><![CDATA[On the film in question and on cinema as a whole: Thoughts on the video essay form. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/this-is-45-a-year-in-keyframe-video-essays/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<item>
		<title>The Film 100: Georges Méliès, no. 26</title>
		<link>http://www.fandor.com/blog/the-film-100-georges-melies-no-26</link>
		<comments>http://www.fandor.com/blog/the-film-100-georges-melies-no-26#comments</comments>
		<pubDate>Wed, 12 Dec 2012 21:00:19 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[alice_guy]]></category>
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		<category><![CDATA[edwin_s_porter]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[FILM_1173]]></category>
		<category><![CDATA[FILM_1175]]></category>
		<category><![CDATA[FILM_1177]]></category>
		<category><![CDATA[FILM_1178]]></category>
		<category><![CDATA[FILM_1179]]></category>
		<category><![CDATA[FILM_1181]]></category>
		<category><![CDATA[FILM_2119]]></category>
		<category><![CDATA[FILM_2120]]></category>
		<category><![CDATA[FILM_2214]]></category>
		<category><![CDATA[FILM_2763]]></category>
		<category><![CDATA[georges_melies]]></category>
		<category><![CDATA[george_lucas]]></category>
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		<category><![CDATA[international]]></category>
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		<category><![CDATA[ridley_scott]]></category>
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		<category><![CDATA[steven_spielberg]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=30542</guid>
		<description><![CDATA[Méliès' need to explore his dreams through the art of filmmaking is the fundamental force that today drives such visionary directors as Stanley Kubrick, David Lynch, George Lucas, Ridley Scott, Tim Burton and Steven Spielberg.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-georges-melies-no-26/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Film 100: Max Fleischer, no. 29</title>
		<link>http://www.fandor.com/blog/the-film-100-max-fleischer-no-29</link>
		<comments>http://www.fandor.com/blog/the-film-100-max-fleischer-no-29#comments</comments>
		<pubDate>Fri, 07 Dec 2012 11:00:45 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[dave_fleischer]]></category>
		<category><![CDATA[FILM_1728]]></category>
		<category><![CDATA[FILM_1729]]></category>
		<category><![CDATA[FILM_1731]]></category>
		<category><![CDATA[FILM_2367]]></category>
		<category><![CDATA[FILM_2369]]></category>
		<category><![CDATA[FILM_2372]]></category>
		<category><![CDATA[FILM_2379]]></category>
		<category><![CDATA[FILM_2380]]></category>
		<category><![CDATA[FILM_2384]]></category>
		<category><![CDATA[FILM_2385]]></category>
		<category><![CDATA[max_fleischer]]></category>
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		<category><![CDATA[music]]></category>
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		<category><![CDATA[shorts]]></category>
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		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=29972</guid>
		<description><![CDATA[The freewheeling animators of the Fleischer crew demonstrated a highly experimental, surrealistic quality in their work that was more sinister, more racy, and much less rigid than Walt Disney’s. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-max-fleischer-no-29/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Film 100: Charlie Chaplin, no. 3</title>
		<link>http://www.fandor.com/blog/the-film-100-charlie-chaplin-no-3</link>
		<comments>http://www.fandor.com/blog/the-film-100-charlie-chaplin-no-3#comments</comments>
		<pubDate>Tue, 04 Dec 2012 20:00:22 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[charlie_chaplin]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[dw_griffith]]></category>
		<category><![CDATA[ernst_lubitsch]]></category>
		<category><![CDATA[film_1791]]></category>
		<category><![CDATA[film_1797]]></category>
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		<category><![CDATA[silent]]></category>
		<category><![CDATA[spotlight_kings_of_silent_comedy_130416]]></category>
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		<category><![CDATA[woody_allen]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=29498</guid>
		<description><![CDATA[Chaplin’s Little Tramp embodied the power of cinema: its ability to transcend barriers of language and culture, its strength as a form for social comment and its magical way of turning fuzzy shapes of light into a well-defined personality. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-charlie-chaplin-no-3/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
<enclosure url="http://www.fandor.com/blog/wp-content/uploads/2012/12/the_gold_rush-300x200.jpg" length="20864" type="image/jpg" /><media:content url="http://www.fandor.com/blog/wp-content/uploads/2012/12/the_gold_rush-300x200.jpg" width="300" height="200" medium="image" type="image/jpeg" />	</item>
		<item>
		<title>Northwesterly: Cool Winds Prevail at Portland&#8217;s Other Fest</title>
		<link>http://www.fandor.com/blog/northwesterly-cool-winds-prevail-at-portlands-other-fest</link>
		<comments>http://www.fandor.com/blog/northwesterly-cool-winds-prevail-at-portlands-other-fest#comments</comments>
		<pubDate>Fri, 16 Nov 2012 16:00:47 +0000</pubDate>
		<dc:creator>adoinel</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[film]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[portland]]></category>
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		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=28154</guid>
		<description><![CDATA[A region's undersung riches turn up at the Northwest Filmmakers' Festival. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/northwesterly-cool-winds-prevail-at-portlands-other-fest/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Robert Ham    </creator_name>
<enclosure url="http://www.fandor.com/blog/wp-content/uploads/2012/11/your_sisters_sister-300x200.jpg" length="26067" type="image/jpg" /><media:content url="http://www.fandor.com/blog/wp-content/uploads/2012/11/your_sisters_sister-300x200.jpg" width="300" height="200" medium="image" type="image/jpeg" />	</item>
		<item>
		<title>Rushes: Dardenne &#124; Poison &#124; Executions &#124; Featured</title>
		<link>http://www.fandor.com/blog/rushes-dardenne-poison-executions-featured</link>
		<comments>http://www.fandor.com/blog/rushes-dardenne-poison-executions-featured#comments</comments>
		<pubDate>Thu, 29 Mar 2012 12:43:24 +0000</pubDate>
		<dc:creator>Max-Goldberg</dc:creator>
				<category><![CDATA[Daily]]></category>
		<category><![CDATA[Rushes]]></category>
		<category><![CDATA[Avant-garde]]></category>
		<category><![CDATA[experimental film]]></category>
		<category><![CDATA[FILM_183]]></category>
		<category><![CDATA[FILM_2126]]></category>
		<category><![CDATA[FILM_2131]]></category>
		<category><![CDATA[FILM_754]]></category>
		<category><![CDATA[FILM_755]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
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		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=13055</guid>
		<description><![CDATA[The Cannes Film Festival announced yesterday that its Cinéfondation and short films jury will be headed by Belgian writer-director Jean-Pierre Dardenne. Along with his brother Luc, Jean-Pierre is no stranger at the French festival: ROSETTA and THE CHILD both won the coveted Palme d’Or, and THE KID WITH A BIKE took home last year’s Grand Prix. BAMcinemaFest announced it fourth annual program yesterday. The festival is set to run from June 20–July 1. The L Magazine’s Mark Asch describes it as “perhaps the major NYC launching pad for the independent American films that make their debuts west of the Mississippi at the outset of the year.”]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/rushes-dardenne-poison-executions-featured/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Max Goldberg    </creator_name>
	</item>
		<item>
		<title>Strange Fates at Sundance</title>
		<link>http://www.fandor.com/blog/strange-fates-at-sundance</link>
		<comments>http://www.fandor.com/blog/strange-fates-at-sundance#comments</comments>
		<pubDate>Fri, 27 Jan 2012 22:33:59 +0000</pubDate>
		<dc:creator>sean0000068371</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[Ben_Safdie]]></category>
		<category><![CDATA[Brent_Green]]></category>
		<category><![CDATA[David_Zellner]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[FILM_1216]]></category>
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		<category><![CDATA[FILM_1220]]></category>
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		<category><![CDATA[genre]]></category>
		<category><![CDATA[horror]]></category>
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		<category><![CDATA[shorts]]></category>
		<category><![CDATA[spotlight_sundance_130109]]></category>
		<category><![CDATA[sundance]]></category>

		<guid isPermaLink="false">/blog/?p=10983</guid>
		<description><![CDATA[This year’s outsiders and short filmmakers offer hope to a believer; two 2012 Sundance features surprise a skeptic.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/strange-fates-at-sundance/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Sean Uyehara    </creator_name>
<enclosure url="http://www.fandor.com/blog/wp-content/uploads/2012/01/vhs2-300x171.jpg" length="11380" type="image/jpg" /><media:content url="http://www.fandor.com/blog/wp-content/uploads/2012/01/vhs2-300x171.jpg" width="300" height="171" medium="image" type="image/jpeg" />	</item>
		<item>
		<title>Bringing A New Dimension to Movie History: Martin Scorsese&#8217;s &#8220;Hugo&#8221;</title>
		<link>http://www.fandor.com/blog/bringing-a-new-dimension-to-movie-history-martin-scorseses-hugo</link>
		<comments>http://www.fandor.com/blog/bringing-a-new-dimension-to-movie-history-martin-scorseses-hugo#comments</comments>
		<pubDate>Mon, 28 Nov 2011 17:07:43 +0000</pubDate>
		<dc:creator>underdog</dc:creator>
				<category><![CDATA[Reviews]]></category>
		<category><![CDATA[The Silent Artists]]></category>
		<category><![CDATA[august_lumiere]]></category>
		<category><![CDATA[early silent]]></category>
		<category><![CDATA[films]]></category>
		<category><![CDATA[film_1700]]></category>
		<category><![CDATA[film_1709]]></category>
		<category><![CDATA[georges_melies]]></category>
		<category><![CDATA[hugo]]></category>
		<category><![CDATA[louis_lumiere]]></category>
		<category><![CDATA[lumière brothers]]></category>
		<category><![CDATA[martin scorsese]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[short films]]></category>
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		<category><![CDATA[silent]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">/blog/?p=9000</guid>
		<description><![CDATA[
Martin Scorsese's 3D adventure explores a dreamy place between childhood and adulthood.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/bringing-a-new-dimension-to-movie-history-martin-scorseses-hugo/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Craig Phillips    </creator_name>
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		<item>
		<title>Chicago Film Fest Chat #5: Ending with Shorts But Not Feeling Short-Changed</title>
		<link>http://www.fandor.com/blog/chicago-film-fest-chat-5-ending-with-shorts-but-not-feeling-short-changed</link>
		<comments>http://www.fandor.com/blog/chicago-film-fest-chat-5-ending-with-shorts-but-not-feeling-short-changed#comments</comments>
		<pubDate>Fri, 14 Oct 2011 12:36:51 +0000</pubDate>
		<dc:creator>albert</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[chicago]]></category>
		<category><![CDATA[ciff]]></category>
		<category><![CDATA[don't go breaking my heart]]></category>
		<category><![CDATA[film festival]]></category>
		<category><![CDATA[gerardo naranjo]]></category>
		<category><![CDATA[lynne ramsay]]></category>
		<category><![CDATA[miss bala]]></category>
		<category><![CDATA[play]]></category>
		<category><![CDATA[ruben ostlund]]></category>
		<category><![CDATA[short film]]></category>
		<category><![CDATA[short films]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[we need to talk about kevin]]></category>

		<guid isPermaLink="false">/blog/?p=7363</guid>
		<description><![CDATA[The final installment of our weeklong conversation on the Chicago International Film Festival.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/chicago-film-fest-chat-5-ending-with-shorts-but-not-feeling-short-changed/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
	    <creator_name>
      Albert Reinhardt    </creator_name>
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