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	<title>Keyframe - Explore the world of film. &#187; international</title>
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		<title>Daily &#124; Marker, Ozu, and Bordwell on the 1940&#8242;s</title>
		<link>http://www.fandor.com/blog/daily-marker-ozu-and-bordwell-on-the-1940s</link>
		<comments>http://www.fandor.com/blog/daily-marker-ozu-and-bordwell-on-the-1940s#comments</comments>
		<pubDate>Thu, 28 Mar 2013 16:51:53 +0000</pubDate>
		<dc:creator>davidweldonhudson</dc:creator>
				<category><![CDATA[Daily]]></category>
		<category><![CDATA[Rushes]]></category>
		<category><![CDATA[andy_wachowski]]></category>
		<category><![CDATA[charlie_kaufman]]></category>
		<category><![CDATA[chris_marker]]></category>
		<category><![CDATA[david_bordwell]]></category>
		<category><![CDATA[edward_bland]]></category>
		<category><![CDATA[ernst_lubitsch]]></category>
		<category><![CDATA[ethan_coen]]></category>
		<category><![CDATA[hartmut_bitomsky]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[jocelyne_saab]]></category>
		<category><![CDATA[joel_coen]]></category>
		<category><![CDATA[ken_loach]]></category>
		<category><![CDATA[lana_wachowski]]></category>
		<category><![CDATA[peter_bogdanovich]]></category>
		<category><![CDATA[ryan_gosling]]></category>
		<category><![CDATA[stanley_forman]]></category>
		<category><![CDATA[suspense]]></category>
		<category><![CDATA[terrence_malick]]></category>
		<category><![CDATA[vladimir_nabokov]]></category>
		<category><![CDATA[wes_anderson]]></category>
		<category><![CDATA[william_gibson]]></category>
		<category><![CDATA[william_klein]]></category>
		<category><![CDATA[yasujiro_ozu]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=39899</guid>
		<description><![CDATA[It's <a href="http://www.fandor.com/blog/daily-chris-marker-1921-2012">Chris Marker</a> day at the <i>Los Angeles Review of Books</i>. Plus filmmaking lessons from Ken Loach, a Nabokov story, and more. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      David Hudson    </creator_name>
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		<title>Video: The Gospel Faces of Pier Paolo Pasolini</title>
		<link>http://www.fandor.com/blog/video-the-gospel-faces-of-pier-paolo-pasolini</link>
		<comments>http://www.fandor.com/blog/video-the-gospel-faces-of-pier-paolo-pasolini#comments</comments>
		<pubDate>Wed, 27 Mar 2013 13:00:38 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[FILM_2098]]></category>
		<category><![CDATA[FILM_3470]]></category>
		<category><![CDATA[FILM_3676]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[italian film]]></category>
		<category><![CDATA[pier paolo pasolini]]></category>
		<category><![CDATA[religion]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=39552</guid>
		<description><![CDATA[In advance of Easter Sunday, a tribute to the greatest version of the life of Jesus Christ ever filmed. ]]></description>
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		<slash:comments>1</slash:comments>
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      Kevin B. Lee    </creator_name>
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		<title>On Topic at the Thessaloniki Documentary Festival</title>
		<link>http://www.fandor.com/blog/on-topic-at-thessaloniki-documentary-festival</link>
		<comments>http://www.fandor.com/blog/on-topic-at-thessaloniki-documentary-festival#comments</comments>
		<pubDate>Tue, 26 Mar 2013 16:00:25 +0000</pubDate>
		<dc:creator>aaron_cutler</dc:creator>
				<category><![CDATA[Festivals]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[aran_hughes]]></category>
		<category><![CDATA[christina_koutsospyrou]]></category>
		<category><![CDATA[chris_marker]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[FILM_1134]]></category>
		<category><![CDATA[film_756]]></category>
		<category><![CDATA[habiba_nosheen]]></category>
		<category><![CDATA[hilke_schellmann]]></category>
		<category><![CDATA[hollis_frampton]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[jano_williams]]></category>
		<category><![CDATA[kim_longinotto]]></category>
		<category><![CDATA[marco_gastine]]></category>
		<category><![CDATA[marina_goldovskaya]]></category>
		<category><![CDATA[panayotis_evangelidis]]></category>
		<category><![CDATA[patricio_guzman]]></category>
		<category><![CDATA[political films]]></category>
		<category><![CDATA[thessaloniki documentary festival]]></category>
		<category><![CDATA[viktor_kossakovsky]]></category>

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		<description><![CDATA[Sorting contemporary docs and the ancient past in Thessaloniki, Greece. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Aaron Cutler    </creator_name>
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		<title>Video: Between the Lines in THE DAY HE ARRIVES</title>
		<link>http://www.fandor.com/blog/video-between-the-lines-in-the-day-he-arrives</link>
		<comments>http://www.fandor.com/blog/video-between-the-lines-in-the-day-he-arrives#comments</comments>
		<pubDate>Thu, 21 Mar 2013 14:00:54 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Videos]]></category>
		<category><![CDATA[FILM_3398]]></category>
		<category><![CDATA[hong_san_soo]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[Korea]]></category>
		<category><![CDATA[korean film]]></category>
		<category><![CDATA[spotlight_san_francisco_international_film_festival_130426]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=39406</guid>
		<description><![CDATA[Unassuming surfaces mask cinematic audacity. A video essay reveals a Korean master Hong Sang-soo's artistry.]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<item>
		<title>Video: How Carl Dreyer Created a &#8216;Cinematic Uncanny&#8217;</title>
		<link>http://www.fandor.com/blog/video-how-carl-dreyer-created-a-cinematic-uncanny</link>
		<comments>http://www.fandor.com/blog/video-how-carl-dreyer-created-a-cinematic-uncanny#comments</comments>
		<pubDate>Tue, 19 Mar 2013 14:02:20 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[carl_theodor_dreyer]]></category>
		<category><![CDATA[craig_baldwin]]></category>
		<category><![CDATA[FILM_1077]]></category>
		<category><![CDATA[FILM_2859]]></category>
		<category><![CDATA[FILM_3395]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[stephen_quay]]></category>
		<category><![CDATA[suspense]]></category>
		<category><![CDATA[timothy_quay]]></category>
		<category><![CDATA[todd_browning]]></category>
		<category><![CDATA[uncanny film]]></category>
		<category><![CDATA[Vampires]]></category>
		<category><![CDATA[video criticism]]></category>
		<category><![CDATA[video essay]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=39404</guid>
		<description><![CDATA[Investigating one of the creepiest films of all time, with insights inspired by one of the world's leading film scholars. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/video-how-carl-dreyer-created-a-cinematic-uncanny/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<item>
		<title>The Iranian Film 50</title>
		<link>http://www.fandor.com/blog/the-iranian-film-50</link>
		<comments>http://www.fandor.com/blog/the-iranian-film-50#comments</comments>
		<pubDate>Fri, 01 Mar 2013 17:49:41 +0000</pubDate>
		<dc:creator>houshang_golmakani</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[abbas_kiarostami]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[critics]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[essential Iranian cinema]]></category>
		<category><![CDATA[FILM_1108]]></category>
		<category><![CDATA[FILM_1140]]></category>
		<category><![CDATA[FILM_2581]]></category>
		<category><![CDATA[historical films]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[iranian film]]></category>
		<category><![CDATA[lists]]></category>
		<category><![CDATA[middle east]]></category>
		<category><![CDATA[Persian film]]></category>
		<category><![CDATA[pre-revolutionary Iranian cinema]]></category>

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		<description><![CDATA[Fifty films essential to understanding Iranian cinema.]]></description>
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		<slash:comments>9</slash:comments>
	    <creator_name>
      Houshang Golmakani    </creator_name>
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		<item>
		<title>On the Power of Provincialism</title>
		<link>http://www.fandor.com/blog/on-the-power-of-provincialism</link>
		<comments>http://www.fandor.com/blog/on-the-power-of-provincialism#comments</comments>
		<pubDate>Mon, 25 Feb 2013 18:45:07 +0000</pubDate>
		<dc:creator>beatrice_behn</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[american filmmaking]]></category>
		<category><![CDATA[baltimore]]></category>
		<category><![CDATA[berlin]]></category>
		<category><![CDATA[berlinale]]></category>
		<category><![CDATA[experimental film]]></category>
		<category><![CDATA[FILM_2128]]></category>
		<category><![CDATA[FILM_2129]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[independent filmmakers]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[matthew_porterfield]]></category>
		<category><![CDATA[matt_porterfield]]></category>
		<category><![CDATA[naturalism]]></category>
		<category><![CDATA[new wave]]></category>
		<category><![CDATA[sundance]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=38406</guid>
		<description><![CDATA[I USED TO BE DARKER filmmaker Matt Porterfield says, 'Yes, I think the local has greater potential to be universal.']]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Beatrice Behn    </creator_name>
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		<item>
		<title>Talking Teddy-Winning IN THE NAME OF&#8230;</title>
		<link>http://www.fandor.com/blog/talking-teddy-winning-in-the-name-of</link>
		<comments>http://www.fandor.com/blog/talking-teddy-winning-in-the-name-of#comments</comments>
		<pubDate>Mon, 18 Feb 2013 03:52:46 +0000</pubDate>
		<dc:creator>anna_tatarska</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[andrzej_wajda]]></category>
		<category><![CDATA[berlin film festival]]></category>
		<category><![CDATA[berlinale]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[lgbt]]></category>
		<category><![CDATA[małgośka_zumowska]]></category>
		<category><![CDATA[queer]]></category>
		<category><![CDATA[teddy award]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=37689</guid>
		<description><![CDATA[A Polish filmmaker speaks to touchy issues regarding her new Berlinale-impressing film. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Anna Tatarska    </creator_name>
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		<title>The Art of Filmmaking: Pablo Larrain</title>
		<link>http://www.fandor.com/blog/the-art-of-filmmaking-pablo-larrain</link>
		<comments>http://www.fandor.com/blog/the-art-of-filmmaking-pablo-larrain#comments</comments>
		<pubDate>Fri, 15 Feb 2013 14:00:47 +0000</pubDate>
		<dc:creator>Marlow</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Interviews]]></category>
		<category><![CDATA[chilean film]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[FILM_3045]]></category>
		<category><![CDATA[FILM_405]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[pablo_larrain]]></category>
		<category><![CDATA[politics]]></category>
		<category><![CDATA[south american film]]></category>
		<category><![CDATA[spotlight_oscars_130219]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=37426</guid>
		<description><![CDATA[Pablo Larrain and the endless road of possibilities. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Jonathan Marlow    </creator_name>
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		<item>
		<title>Video: The Best of Berlinale 2013</title>
		<link>http://www.fandor.com/blog/video-the-best-of-berlinale-2013</link>
		<comments>http://www.fandor.com/blog/video-the-best-of-berlinale-2013#comments</comments>
		<pubDate>Wed, 13 Feb 2013 21:44:24 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Festivals]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[andrew_bujalski]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[matthew_porterfield]]></category>
		<category><![CDATA[matt_porterfield]]></category>
		<category><![CDATA[richard_linklater]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=37306</guid>
		<description><![CDATA[Midway through the 63rd Berlin International Film Festival, Keyframe's critics talk personal favorites with one of Germany's top film reviewers. ]]></description>
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		<slash:comments>0</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<title>Curious Classics: The Taviani Brothers</title>
		<link>http://www.fandor.com/blog/curious-classics-the-taviani-brothers</link>
		<comments>http://www.fandor.com/blog/curious-classics-the-taviani-brothers#comments</comments>
		<pubDate>Wed, 13 Feb 2013 14:10:48 +0000</pubDate>
		<dc:creator>dharv</dc:creator>
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		<category><![CDATA[Features]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[FILM_2689]]></category>
		<category><![CDATA[FILM_2692]]></category>
		<category><![CDATA[FILM_2693]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[paolo_taviani]]></category>
		<category><![CDATA[performance]]></category>
		<category><![CDATA[valentino_orsini]]></category>
		<category><![CDATA[vittorio_taviani]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=37254</guid>
		<description><![CDATA[CAESAR MUST DIE, the latest in an unpredictable, idiosyncratic oeuvre finds the prolific, self-abnegating Tavianis on point.]]></description>
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	    <creator_name>
      Dennis Harvey    </creator_name>
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		<item>
		<title>Love’s Story: Abbas Kiarostami’s SHIRIN</title>
		<link>http://www.fandor.com/blog/love%e2%80%99s-story-abbas-kiarostami%e2%80%99s-shirin</link>
		<comments>http://www.fandor.com/blog/love%e2%80%99s-story-abbas-kiarostami%e2%80%99s-shirin#comments</comments>
		<pubDate>Mon, 11 Feb 2013 17:10:15 +0000</pubDate>
		<dc:creator>aaron_cutler</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[abbas_kiarostami]]></category>
		<category><![CDATA[cannes film festival]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[FILM_1140]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[iranian films]]></category>
		<category><![CDATA[love]]></category>
		<category><![CDATA[persian films]]></category>
		<category><![CDATA[romance]]></category>
		<category><![CDATA[romantic movies]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=37143</guid>
		<description><![CDATA[When it comes to love, dreaming holds universal appeal.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/love%e2%80%99s-story-abbas-kiarostami%e2%80%99s-shirin/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Aaron Cutler    </creator_name>
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		<item>
		<title>5 Broken Cameras, 1 Changed Oscar Race</title>
		<link>http://www.fandor.com/blog/5-broken-cameras-1-changed-oscar-race</link>
		<comments>http://www.fandor.com/blog/5-broken-cameras-1-changed-oscar-race#comments</comments>
		<pubDate>Thu, 31 Jan 2013 14:00:17 +0000</pubDate>
		<dc:creator>asch.mark</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[activism]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[emad_burnat]]></category>
		<category><![CDATA[FILM_3502]]></category>
		<category><![CDATA[guy davidi]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[israel]]></category>
		<category><![CDATA[middle east]]></category>
		<category><![CDATA[oscar]]></category>
		<category><![CDATA[palestine]]></category>
		<category><![CDATA[spotlight_oscars_130219]]></category>
		<category><![CDATA[spotlight_sundance_130109]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=35921</guid>
		<description><![CDATA[As participants rather than 'gatekeepers' call the shots, the nature of the nonfiction storytelling game changes. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/5-broken-cameras-1-changed-oscar-race/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Mark Asch    </creator_name>
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		<item>
		<title>The Film 100: Akira Kurosawa, no. 70</title>
		<link>http://www.fandor.com/blog/the-film-100-akira-kurosawa-no-70</link>
		<comments>http://www.fandor.com/blog/the-film-100-akira-kurosawa-no-70#comments</comments>
		<pubDate>Thu, 10 Jan 2013 22:00:26 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Action/Adventure]]></category>
		<category><![CDATA[akira_kurosawa]]></category>
		<category><![CDATA[andrei_tarkovsky]]></category>
		<category><![CDATA[billy_wilder]]></category>
		<category><![CDATA[clint_eastwood]]></category>
		<category><![CDATA[crime]]></category>
		<category><![CDATA[george_lucas]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[kenji_mizoguchi]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[noir]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[quentin_tarantino]]></category>
		<category><![CDATA[satyajit_ray]]></category>
		<category><![CDATA[sergio_leone]]></category>
		<category><![CDATA[steven_spielberg]]></category>
		<category><![CDATA[tony_richardson]]></category>
		<category><![CDATA[walter_hill]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[yamamoto_kajiro]]></category>
		<category><![CDATA[yasujiro_ozu]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=33539</guid>
		<description><![CDATA[Kurosawa assimilated his knowledge of ancient Japanese traditions into a modern Western art form, influencing many writers and directors along the way. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-akira-kurosawa-no-70/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Film 100: Leni Riefenstahl, no. 81</title>
		<link>http://www.fandor.com/blog/the-film-100-leni-riefenstahl-no-81</link>
		<comments>http://www.fandor.com/blog/the-film-100-leni-riefenstahl-no-81#comments</comments>
		<pubDate>Mon, 31 Dec 2012 23:00:49 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[arnold_fanck]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[george_lucas]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[leni_riefenstahl]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31461</guid>
		<description><![CDATA[Riefenstahl's misfortune was partly a historical one: her rise to glory as a director of international acclaim coincided with the rise of Nazi Germany’s bid for world domination. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-leni-riefenstahl-no-81/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Year in Film 2012: Afterthoughts, Events, Surprises</title>
		<link>http://www.fandor.com/blog/the-year-in-film-2012-afterthoughts-events-surprises</link>
		<comments>http://www.fandor.com/blog/the-year-in-film-2012-afterthoughts-events-surprises#comments</comments>
		<pubDate>Mon, 31 Dec 2012 14:20:43 +0000</pubDate>
		<dc:creator>susie</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[abbas_kiarostami]]></category>
		<category><![CDATA[abel_gance]]></category>
		<category><![CDATA[archives]]></category>
		<category><![CDATA[claire_denis]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[michael_haneke]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[restorations]]></category>
		<category><![CDATA[rodney_ascher]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31755</guid>
		<description><![CDATA[Cinema, dead? Not so fast. Keyframe contributors find magic in live events and restorations. But live audiences? That's another story. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-year-in-film-2012-afterthoughts-events-surprises/feed</wfw:commentRss>
		<slash:comments>4</slash:comments>
	    <creator_name>
      Susan Gerhard    </creator_name>
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		<item>
		<title>The Film 100: Vittorio De Sica, no. 72</title>
		<link>http://www.fandor.com/blog/the-film-100-vittorio-de-sica-no-72</link>
		<comments>http://www.fandor.com/blog/the-film-100-vittorio-de-sica-no-72#comments</comments>
		<pubDate>Sat, 29 Dec 2012 16:00:51 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[film_1982]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[jean-luc_godard]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[oliver_stone]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[roberto_rossellini]]></category>
		<category><![CDATA[satyajit_ray]]></category>
		<category><![CDATA[spike_lee]]></category>
		<category><![CDATA[vittorio_de_sica]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[woody_allen]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31390</guid>
		<description><![CDATA[De Sica's poignant movies were emotional plays about downtrodden people struggling to keep their faith in the goodness of man. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-vittorio-de-sica-no-72/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Year in Film 2012: Scenes and Performances</title>
		<link>http://www.fandor.com/blog/the-year-in-film-2012-scenes-and-performances</link>
		<comments>http://www.fandor.com/blog/the-year-in-film-2012-scenes-and-performances#comments</comments>
		<pubDate>Fri, 28 Dec 2012 14:00:11 +0000</pubDate>
		<dc:creator>susie</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[Action/Adventure]]></category>
		<category><![CDATA[actors]]></category>
		<category><![CDATA[actresses]]></category>
		<category><![CDATA[Adaptation]]></category>
		<category><![CDATA[Avant-garde]]></category>
		<category><![CDATA[bela_tarr]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[FILM_2917]]></category>
		<category><![CDATA[foreign film]]></category>
		<category><![CDATA[hollywood]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[independent film]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[performances]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31753</guid>
		<description><![CDATA[Lists and notes on the best scenes and top performances of 2012.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-year-in-film-2012-scenes-and-performances/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Susan Gerhard    </creator_name>
<enclosure url="http://www.fandor.com/blog/wp-content/uploads/2012/12/moonrise-kingdom-img10-300x200.jpg" length="30327" type="image/jpg" /><media:content url="http://www.fandor.com/blog/wp-content/uploads/2012/12/moonrise-kingdom-img10-300x200.jpg" width="300" height="200" medium="image" type="image/jpeg" />	</item>
		<item>
		<title>Video: The Year&#8217;s Best Foreign Films, Gangnam Style</title>
		<link>http://www.fandor.com/blog/video-foreign-films-gangnam-style</link>
		<comments>http://www.fandor.com/blog/video-foreign-films-gangnam-style#comments</comments>
		<pubDate>Thu, 27 Dec 2012 21:32:24 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[bela_tarr]]></category>
		<category><![CDATA[christian_petzold]]></category>
		<category><![CDATA[FILM_2854]]></category>
		<category><![CDATA[FILM_2917]]></category>
		<category><![CDATA[foreign films]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[music]]></category>
		<category><![CDATA[nuri_bilge_ceylan]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=32388</guid>
		<description><![CDATA[Re-paced, edited and mashed to perfection: the year in world cinema. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/video-foreign-films-gangnam-style/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<item>
		<title>The Year in Film 2012: Feature and Nonfiction Top Tens</title>
		<link>http://www.fandor.com/blog/the-year-in-film-2012-feature-and-nonfiction-top-tens</link>
		<comments>http://www.fandor.com/blog/the-year-in-film-2012-feature-and-nonfiction-top-tens#comments</comments>
		<pubDate>Thu, 27 Dec 2012 14:00:27 +0000</pubDate>
		<dc:creator>susie</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[awards]]></category>
		<category><![CDATA[bela_tar]]></category>
		<category><![CDATA[caveh_zahedi]]></category>
		<category><![CDATA[critics]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[FILM_2854]]></category>
		<category><![CDATA[FILM_2917]]></category>
		<category><![CDATA[FILM_3353]]></category>
		<category><![CDATA[foreign]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[nuri_bilge_ceylan]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[oscar]]></category>
		<category><![CDATA[polls]]></category>
		<category><![CDATA[ursula_meier]]></category>
		<category><![CDATA[watch]]></category>
		<category><![CDATA[year-end]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31748</guid>
		<description><![CDATA[Keyframe contributors and friends weigh in on the year that was with Feature and Nonfiction Film Top Tens. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-year-in-film-2012-feature-and-nonfiction-top-tens/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Susan Gerhard    </creator_name>
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		<item>
		<title>The Film 100: Auguste and Louis Lumière, no. 61</title>
		<link>http://www.fandor.com/blog/the-film-100-auguste-and-louis-lumiere-no-61</link>
		<comments>http://www.fandor.com/blog/the-film-100-auguste-and-louis-lumiere-no-61#comments</comments>
		<pubDate>Tue, 25 Dec 2012 16:00:54 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[alice_guy_blache]]></category>
		<category><![CDATA[auguste_lumiere]]></category>
		<category><![CDATA[edwin_s_porter]]></category>
		<category><![CDATA[Ephemera]]></category>
		<category><![CDATA[FILM_1306]]></category>
		<category><![CDATA[FILM_1310]]></category>
		<category><![CDATA[film_1318]]></category>
		<category><![CDATA[FILM_1319]]></category>
		<category><![CDATA[FILM_1699]]></category>
		<category><![CDATA[film_1700]]></category>
		<category><![CDATA[FILM_1701]]></category>
		<category><![CDATA[george_melies]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[louis_lumiere]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[silent]]></category>
		<category><![CDATA[thomas_edison]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31608</guid>
		<description><![CDATA[By developing a single-unit device that was portable, the Lumières were able to document the outside world in moving pictures. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-auguste-and-louis-lumiere-no-61/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Film 100: Ingmar Bergman, no. 45</title>
		<link>http://www.fandor.com/blog/the-film-100-ingmar-bergman-no-45</link>
		<comments>http://www.fandor.com/blog/the-film-100-ingmar-bergman-no-45#comments</comments>
		<pubDate>Sat, 22 Dec 2012 18:44:54 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[alf_sjöberg]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[ingmar_bergman]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[jean_luc_godard]]></category>
		<category><![CDATA[john_cassavetes]]></category>
		<category><![CDATA[paul_mazursky]]></category>
		<category><![CDATA[watch movies online]]></category>
		<category><![CDATA[woody_allen]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31584</guid>
		<description><![CDATA[No other filmmaker has come closer than Bergman to articulating personal fears and dreams with compelling storytelling devices. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-ingmar-bergman-no-45/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>Video: Twelve for 2012 &#124; The Best Films of the Year</title>
		<link>http://www.fandor.com/blog/video-twelve-for-2012-the-best-films-of-the-year</link>
		<comments>http://www.fandor.com/blog/video-twelve-for-2012-the-best-films-of-the-year#comments</comments>
		<pubDate>Thu, 20 Dec 2012 14:45:22 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[Action/Adventure]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[FILM_2854]]></category>
		<category><![CDATA[hal_hartley]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[nuri_bilge_ceylan]]></category>
		<category><![CDATA[online]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31416</guid>
		<description><![CDATA[From NEIGHBORING SOUNDS to CONSUMING SPIRITS: Notes on a dozen films that stayed with me. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/video-twelve-for-2012-the-best-films-of-the-year/feed</wfw:commentRss>
		<slash:comments>2</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<item>
		<title>What Hollywood Can Learn from French Actresses</title>
		<link>http://www.fandor.com/blog/what-hollywood-can-learn-from-french-actresses</link>
		<comments>http://www.fandor.com/blog/what-hollywood-can-learn-from-french-actresses#comments</comments>
		<pubDate>Wed, 19 Dec 2012 22:36:11 +0000</pubDate>
		<dc:creator>atomberea</dc:creator>
				<category><![CDATA[Features]]></category>
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		<category><![CDATA[frederic_fonteyne]]></category>
		<category><![CDATA[french film]]></category>
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		<category><![CDATA[isabelle_huppert]]></category>
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		<category><![CDATA[movies]]></category>
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		<category><![CDATA[xavier_beauvois]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=31383</guid>
		<description><![CDATA[A reader’s guide to Mick LaSalle’s French-actress treatise ‘The Beauty of the Real.’ ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/what-hollywood-can-learn-from-french-actresses/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Adam Hartzell    </creator_name>
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		<item>
		<title>Home for the Holidays: Dysfunctional Families</title>
		<link>http://www.fandor.com/blog/home-for-the-holidays-dysfunctional-families</link>
		<comments>http://www.fandor.com/blog/home-for-the-holidays-dysfunctional-families#comments</comments>
		<pubDate>Mon, 17 Dec 2012 16:16:10 +0000</pubDate>
		<dc:creator>adoinel</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Lists]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[dysfunctional families]]></category>
		<category><![CDATA[family films]]></category>
		<category><![CDATA[FILM_1072]]></category>
		<category><![CDATA[FILM_112]]></category>
		<category><![CDATA[FILM_132]]></category>
		<category><![CDATA[FILM_2600]]></category>
		<category><![CDATA[FILM_876]]></category>
		<category><![CDATA[FILM_962]]></category>
		<category><![CDATA[foreign film]]></category>
		<category><![CDATA[independent]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[korinna_avraamidou]]></category>
		<category><![CDATA[lloyd_michael_williams]]></category>
		<category><![CDATA[movies]]></category>
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		<category><![CDATA[watch]]></category>
		<category><![CDATA[yorgos_lanthimos]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=30999</guid>
		<description><![CDATA[Yours, mine, ours: Nuclear families explode in a variety of ways. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/home-for-the-holidays-dysfunctional-families/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Robert Ham    </creator_name>
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		<item>
		<title>This Is 45: A Year in Keyframe Video Essays</title>
		<link>http://www.fandor.com/blog/this-is-45-a-year-in-keyframe-video-essays</link>
		<comments>http://www.fandor.com/blog/this-is-45-a-year-in-keyframe-video-essays#comments</comments>
		<pubDate>Thu, 13 Dec 2012 14:00:11 +0000</pubDate>
		<dc:creator>alsolikelife</dc:creator>
				<category><![CDATA[Features]]></category>
		<category><![CDATA[Videos]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[bela_tarr]]></category>
		<category><![CDATA[FILM_2128]]></category>
		<category><![CDATA[FILM_2129]]></category>
		<category><![CDATA[FILM_2917]]></category>
		<category><![CDATA[FILM_41]]></category>
		<category><![CDATA[FILM_772]]></category>
		<category><![CDATA[FILM_818]]></category>
		<category><![CDATA[international]]></category>
		<category><![CDATA[matthew_porterfield]]></category>
		<category><![CDATA[michael_haneke]]></category>
		<category><![CDATA[miklós_jancsó]]></category>
		<category><![CDATA[movies]]></category>
		<category><![CDATA[online]]></category>
		<category><![CDATA[shorts]]></category>
		<category><![CDATA[video essay]]></category>
		<category><![CDATA[watch]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=29660</guid>
		<description><![CDATA[On the film in question and on cinema as a whole: Thoughts on the video essay form. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/this-is-45-a-year-in-keyframe-video-essays/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Kevin B. Lee    </creator_name>
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		<item>
		<title>The Film 100: Georges Méliès, no. 26</title>
		<link>http://www.fandor.com/blog/the-film-100-georges-melies-no-26</link>
		<comments>http://www.fandor.com/blog/the-film-100-georges-melies-no-26#comments</comments>
		<pubDate>Wed, 12 Dec 2012 21:00:19 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[alice_guy]]></category>
		<category><![CDATA[auguste_lumiere]]></category>
		<category><![CDATA[david_lynch]]></category>
		<category><![CDATA[dw_griffith]]></category>
		<category><![CDATA[edwin_s_porter]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[FILM_1173]]></category>
		<category><![CDATA[FILM_1175]]></category>
		<category><![CDATA[FILM_1177]]></category>
		<category><![CDATA[FILM_1178]]></category>
		<category><![CDATA[FILM_1179]]></category>
		<category><![CDATA[FILM_1181]]></category>
		<category><![CDATA[FILM_2119]]></category>
		<category><![CDATA[FILM_2120]]></category>
		<category><![CDATA[FILM_2214]]></category>
		<category><![CDATA[FILM_2763]]></category>
		<category><![CDATA[georges_melies]]></category>
		<category><![CDATA[george_lucas]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[international]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=30542</guid>
		<description><![CDATA[Méliès' need to explore his dreams through the art of filmmaking is the fundamental force that today drives such visionary directors as Stanley Kubrick, David Lynch, George Lucas, Ridley Scott, Tim Burton and Steven Spielberg.]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-georges-melies-no-26/feed</wfw:commentRss>
		<slash:comments>0</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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		<item>
		<title>The Young and the Restless</title>
		<link>http://www.fandor.com/blog/the-young-and-the-restless</link>
		<comments>http://www.fandor.com/blog/the-young-and-the-restless#comments</comments>
		<pubDate>Wed, 12 Dec 2012 14:00:23 +0000</pubDate>
		<dc:creator>glenn_heath</dc:creator>
				<category><![CDATA[Features]]></category>
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		<category><![CDATA[andrey_zvyaginstev]]></category>
		<category><![CDATA[comedy]]></category>
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		<category><![CDATA[fernando_eimbcke]]></category>
		<category><![CDATA[FILM_1136]]></category>
		<category><![CDATA[FILM_2133]]></category>
		<category><![CDATA[FILM_2352]]></category>
		<category><![CDATA[FILM_2671]]></category>
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		<category><![CDATA[FILM_2786]]></category>
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		<category><![CDATA[shane_meadows]]></category>
		<category><![CDATA[whit_stillman]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=30589</guid>
		<description><![CDATA[These coming-of-age films toe the line between hope and despair, discovery and repression, growth and stagnation with a level of tenderness and honesty that few films can claim. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-young-and-the-restless/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Glenn Heath Jr.    </creator_name>
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		<item>
		<title>Best Shots of the Year</title>
		<link>http://www.fandor.com/blog/best-shots-of-the-year</link>
		<comments>http://www.fandor.com/blog/best-shots-of-the-year#comments</comments>
		<pubDate>Tue, 11 Dec 2012 22:37:58 +0000</pubDate>
		<dc:creator>adam_nayman</dc:creator>
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		<category><![CDATA[abbas_kiarostami]]></category>
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		<category><![CDATA[critics]]></category>
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		<category><![CDATA[year-end lists]]></category>

		<guid isPermaLink="false">http://www.fandor.com/blog/?p=30530</guid>
		<description><![CDATA[Deceptive placidity, weightless wonders, real-time tension, euphoria unleashed: Cinematography's most satisfying shots of 2012. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/best-shots-of-the-year/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Adam Nayman    </creator_name>
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		<item>
		<title>The Film 100: Fritz Lang, no. 40</title>
		<link>http://www.fandor.com/blog/the-film-100-fritz-lang-no-40</link>
		<comments>http://www.fandor.com/blog/the-film-100-fritz-lang-no-40#comments</comments>
		<pubDate>Tue, 11 Dec 2012 17:14:45 +0000</pubDate>
		<dc:creator>ssmith1229</dc:creator>
				<category><![CDATA[Articles]]></category>
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		<category><![CDATA[FILM_99]]></category>
		<category><![CDATA[fritz_lang]]></category>
		<category><![CDATA[german film]]></category>
		<category><![CDATA[hollywood]]></category>
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		<guid isPermaLink="false">http://www.fandor.com/blog/?p=30457</guid>
		<description><![CDATA[The invention of the futuristic look of science fiction films, the introduction of shadowy westerns and the creation of a prodigious body of film noir standards: Fritz Lang's influence can be felt far beyond his development of the German expressionist aesthetic. ]]></description>
		<wfw:commentRss>http://www.fandor.com/blog/the-film-100-fritz-lang-no-40/feed</wfw:commentRss>
		<slash:comments>1</slash:comments>
	    <creator_name>
      Scott Smith    </creator_name>
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