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The Film 100: J.R. Bray, no. 12

March 4, 2013
THE ARTIST'S DREAM

It was not artistry that would endear J.R. Bray to legions of animators, it was inventiveness.

Coloring Inside the Lines?

February 21, 2013 | 2 Comments
LUXO JR.

CG or not CG: conformity vs. creativity in film animation.

Uncorking Vintage Gaming with WRECK-IT RALPH

February 20, 2013
WRECK-IT RALPH

Rich Moore, up for an Oscar for WRECK-IT RALPH, talks about gamers, ‘glitches’ and creating compelling animation.

The Film 100: Walt Disney, no. 7

February 7, 2013
STEAMBOAT WILLIE

Disney’s competitive drive and unflagging standards set a benchmark for quality in family entertainment.

The Film 100: John Hubley, no. 99

January 5, 2013
ROOTY TOOT TOOT

Hubley freed the form of its early stylistic constraints, bringing creative individuals to the craft and making animated films a deeply personal art.

The Film 100: Winsor McCay, no. 36

December 13, 2012
WINSOR MCCAY AND HIS ANIMATED PICTURES

Winsor McCay found the wonders of animation a challenging diversion from his daily drawing, and the film industry found itself the perfect pitchman.

This Is 45: A Year in Keyframe Video Essays

December 13, 2012 | One Comment
PUTTY HILL

On the film in question and on cinema as a whole: Thoughts on the video essay form.

Video: An Evening with Lawrence Jordan

November 20, 2012
BEYOND ENCHANTMENT

Lawrence Jordan, peaking in his seventh decade, shares tricks of his very unique trade.

Video: 100 Masters of Animated Short Films

October 15, 2012 | 4 Comments
WINSOR MCCAY AND HIS ANIMATED PICTURES

From Winsor McCay to the Brothers Quay: A look at animation greats.

The Art of Filmmaking: The Quay Brothers

August 9, 2012
PIANO TUNER OF EARTHQUAKES

Depth, light, sound, music: Stephen and Timothy Quay speak on the many dimensions of film.

Scenes: MANLY GAMES

June 30, 2012
MANLY GAMES

On the dangers of doing nothing: As the soccer world’s Poland/Ukraine-hosted Euro 2012 reaches a finale, a very different view of the pastime gets a close read.

Rushes: Miners | Markets | Murch

February 8, 2012

Experimental filmmaker Bill Morrison’s latest found footage piece, THE MINERS’ HYMNS, opens tomorrow at New York’s Film Forum. New Yorker music critic Alex Ross praises Icelandic composer Jóhann Jóhannsson’s “brooding ambient score,” while Manohla Dargis gives due to Morrison as the “real deal” in found footage: “A miner himself of a type, Mr. Morrison has dug into the archives of the likes of the British Film Institute to cull primarily black-and-white images so rich, so alive with dirty faces, shadows and the occasional pit pony that they resurrect…