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Beginning as a celebrity convention intervention, ‘The After Party’ took an atypical course.
A “gentle and sentimental mirror image of ‘La Dolce Vita’ for the present age.”
On the most beguiling moment in the first Ebertfest to take place without its founder.
“The most bigscreen-worthy film that Soderbergh has made since ‘Che’” will, of course, debut on HBO.
It’s “the best of the eight features the mind-bogglingly prolific actor-director-writer had made and is, as such, a big surprise.” Updated through 5/21.
Benjamin Murmelstein “may be Lanzmann’s most garrulous, morally complicated subject to date.” Updated through 5/21.
