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Ricardo Trêpa, Manoel de Oliveira’s grandson, in ‘Gebo and the Shadow’
“Sober, intense, closer in feel to the 1970s historical films of Werner Herzog.”
“Gray is moving towards something new.”
A “pseudo-detective film at once burlesque and jabbing.”
‘Salvo’ takes not one but two prizes. Updated through 5/24.
The maker of Cannes film NORTE, THE END OF HISTORY, talks about taking time in an all-too-impatient world.
