Japanese poster for ‘The Man Who Left His Will on Film’
“Clay figures, extreme beauty, violence, homosexual blow jobs…” The winners.
“Initially subdued,” but “soon gloriously unhinged.”
Cannes Critics’ Week picks winners; a critic offers notes on her favorites.
“Perhaps the first film since the declaration of the Islamic Republic to confront so directly the brutality of the feared security apparatus.”
“The next great midnight classic.”