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Recent Posts
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Daily
Daily | Cannes 2013 | Anthony Chen’s ILO ILO
A “bittersweet vignette of family life” set in Singapore during the 1997 financial crisis.
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Daily
Daily | Cannes 2013 | J.C. Chandor’s ALL IS LOST
A “uniquely thrilling stunt” and “utterly compelling viewing.”
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Daily
Daily | Cannes 2013 | Rithy Panh’s THE MISSING PICTURE
A “deliberately distanced but often harrowing vision of a living hell.”
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Daily
Daily | Cannes 2013 | Mahamat-Saleh Haroun’s GRIGRIS
A “typically calm, lucid drama, presented in the director’s unforced, cinematic vernacular.”
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Daily
Daily | Cannes 2013 | Nicolas Winding Refn’s ONLY GOD FORGIVES
“He clearly thinks he’s saying something profound with this laboriously overproduced dross.”
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- Daily | Cannes 2013 | Anthony Chen’s ILO ILO
- Daily | Cannes 2013 | J.C. Chandor’s ALL IS LOST
- Daily | Cannes 2013 | Rithy Panh’s THE MISSING PICTURE
- Daily | Cannes 2013 | Mahamat-Saleh Haroun’s GRIGRIS
- Daily | Cannes 2013 | Nicolas Winding Refn’s ONLY GOD FORGIVES
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Rufus: hi!,I love your writing very so much! proportion w...
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Arlene: Thanks for sharing such a fastidious opinion, para...
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MattL: Are you sure he is celebrating this guy? I see the...
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Terrell: Howdy! This post could not be written much better!...
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David Ehrenstein: Hannah Arendt was mercilessly attacked for exposin...