Videos
Video: The KUMARE Meditation Session
On the most beguiling moment in the first Ebertfest to take place without its founder.
Video: Four Ways of Looking at Chinese Reality
China’s historical transformation over the last 25 years unleashed a new kind of reality, and a new kind of filmmaking to go with it.
Video: Evidence of an Elliptical Film
An early silents ‘mashup’ speaks to the possibilities of cinema’s past and its future.
Scenes: POST MORTEM
Larraín builds a city of the living dead as he carefully considers the effects of the Pinochet regime on the people of Chile.
Scenes: THE NEW YEAR
On embracing the beautiful ambiguity of adulthood with one of the most stunningly subtle finales in recent American cinema.
Video: The Gospel Faces of Pier Paolo Pasolini
In advance of Easter Sunday, a tribute to the greatest version of the life of Jesus Christ ever filmed.
Video: Between the Lines in THE DAY HE ARRIVES
Unassuming surfaces mask cinematic audacity. A video essay reveals a Korean master Hong Sang-soo’s artistry.
Video: How Carl Dreyer Created a ‘Cinematic Uncanny’
Investigating one of the creepiest films of all time, with insights inspired by one of the world’s leading film scholars.
Video: What Does China’s Greatest Film Sound Like?
One of China’s most popular film bloggers reflects on the distinctly cinematic voices of the Chinese classic SPRING IN A SMALL TOWN.
Scenes: THE STRANGE CASE OF ANGELICA
Manoel de Oliveira’s modernist fable engages with an entire spectrum of antiquated, classical and modernist cinematic resources.
Video: Chicago Underground, Unleashed
Festival director Bryan Wendorf speaks on native formats, archival classics and his embrace of digital.
