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Daily | Cannes 2013 | Arnaud des Pallieres’s MICHAEL KOHLHAAS

May 24, 2013
Michael Kohlhaas

“Sober, intense, closer in feel to the 1970s historical films of Werner Herzog.”

Daily | Cannes 2013 | James Gray’s THE IMMIGRANT

May 24, 2013
The Immigrant

“Gray is moving towards something new.”

Daily | Cannes 2013 | Serge Bozon’s TIP TOP

May 23, 2013
Tip Top

A “pseudo-detective film at once burlesque and jabbing.”

Daily | Cannes 2013 | SALVO Tops Critics’ Week Awards

May 23, 2013
Salvo

‘Salvo’ takes not one but two prizes. Updated through 5/24.

Daily | In the Works | Coppola, Haynes, Linklater

May 23, 2013
The Godfather

Also: New work’s forthcoming from Olivier Assayas, Monte Hellman, Cristi Puiu, and more.

Daily | Cannes 2013 | Alexander Payne’s NEBRASKA

May 23, 2013
Nebraska

“The film’s laughs are as low-key as Payne’s reflective but straight-shooting style of storytelling.” Updated through 5/24.

Daily | Cannes 2013 | Abdellatif Kechiche’s BLUE IS THE WARMEST COLOR

May 23, 2013
Blue Is the Warmest Color

A coy coming-out drama this most definitely isn’t.” Updated through 5/24.

Daily | Cannes 2013 | Ruairi Robinson’s THE LAST DAYS ON MARS

May 23, 2013
The Last Days on Mars

“Why put these talents towards such a lame, self-serious retread of ‘Alien’ and ‘Ghosts of Mars’?”

Daily | Cannes 2013 | Anthony Chen’s ILO ILO

May 23, 2013
Ilo Ilo

A “bittersweet vignette of family life” set in Singapore during the 1997 financial crisis.

Daily | Cannes 2013 | J.C. Chandor’s ALL IS LOST

May 22, 2013
All Is Lost

A “uniquely thrilling stunt” and “utterly compelling viewing.” Updated through 5/24.

Daily | Cannes 2013 | Rithy Panh’s THE MISSING PICTURE

May 22, 2013
The Missing Image

A “deliberately distanced but often harrowing vision of a living hell.”

Daily | Cannes 2013 | Mahamat-Saleh Haroun’s GRIGRIS

May 22, 2013
Grigris

A “typically calm, lucid drama, presented in the director’s unforced, cinematic vernacular.”