Daily
Daily | Cannes 2013 | Johnnie To’s BLIND DETECTIVE
A “deranged and delirious smorgasbord of a movie.”
Daily | Cannes 2013 | Valeria Bruni Tedeschi’s A CASTLE IN ITALY
“It’s hard to imagine many audiences warming to these bourgeois folks.”
Daily | Cannes 2013 | Paolo Sorrentino’s THE GREAT BEAUTY
A “gentle and sentimental mirror image of ‘La Dolce Vita’ for the present age.”
Daily | Cannes 2013 | Steven Soderbergh’s BEHIND THE CANDELABRA
“The most bigscreen-worthy film that Soderbergh has made since ‘Che’” will, of course, debut on HBO.
Daily | Cannes 2013 | James Franco’s AS I LAY DYING
It’s “the best of the eight features the mind-bogglingly prolific actor-director-writer had made and is, as such, a big surprise.” Updated through 5/21.
Daily | Cannes 2013 | Claude Lanzmann’s THE LAST OF THE UNJUST
Benjamin Murmelstein “may be Lanzmann’s most garrulous, morally complicated subject to date.” Updated through 5/21.
Daily | Cannes 2013 | Jeremy Saulnier’s BLUE RUIN
This “deft, thrilling genre film” is also a crowd-funding success story. Updated through 5/21.
Daily | Cannes 2013 | Guillaume Canet’s BLOOD TIES
“Endeavors to evoke the great character-driven movies of the 1970s, but never quite lives up to its epic scope.”
Daily | Cannes 2013 | James Toback’s SEDUCED AND ABANDONED
Toback and Alec Baldwin talk art and money with the likes of Scorsese, Bertolucci, and Polanski. Updated through 5/21.
Daily | Cannes 2013 | Alex van Warmerdam’s BORGMAN
“Caustic, surreal, creepy, and blackly funny.” Updated through 5/21.
Daily | Cannes 2013 | Rebecca Zlotowski’s GRAND CENTRAL
As if Dardennes were asked “to make a cinematic cocktail using equal parts of ‘Summer With Monica’ and ‘Silkwood.’” Updated through 5/20.
