Keyframe is brought to you by Fandor
Shorts, independents, festival favorites, classics,
and international films. Subscribe and watch today.
Subscribe now
Cannes Critics’ Week picks winners; a critic offers notes on her favorites.
"Clay figures, extreme beauty, violence, homosexual blow jobs…" T...
"Initially subdued," but "soon gloriously unhinged."...
"Perhaps the first film since the declaration of the Islamic Republ...
It was a good night for Guillaume Gallienne and Clio Barnard....
"Sober, intense, closer in feel to the 1970s historical films of We...
"Gray is moving towards something new." Updated through 5/25....
A "pseudo-detective film at once burlesque and jabbing." Updated th...
'Salvo' takes not one but two prizes. Updated through 5/24....
Also: New work's forthcoming from Olivier Assayas, Monte Hellman, C...
Linklater’s third in the unplanned series is a charmer; the director offers notes on its making.
The maker of Cannes film NORTE, THE END OF HISTORY, talks about taking time in an all-too-impatient world.
Film Society of Lincoln Center’s Eugene Hernandez podcasts live Cannes 2013 highlights, including a talk with Jia Zhanke regarding A TOUCH OF SIN.
Six-year-old star Onata Aprile joins David Siegel and Scott McGehee in a discussion of moviemaking, relationships and Henry James.
The embattled Chinese director talks about maternal perspective, personal trauma and the making of a film that the Chinese government doesn’t want you to see.
On the most beguiling moment in the first Ebertfest to take place without its founder.
In competition at Cannes with HELI, Escalante speaks on filmmaking style, sex, death, Carlos Reygadas, painting and the image of illegal immigrants in the U.S.
China’s historical transformation over the last 25 years unleashed a new kind of reality, and a new kind of filmmaking to go with it.
Critics wrap the festival year with notes on SFIFF 2013 as Cannes sets the agenda for twelve months to come.
‘Lonely people tend to like my films a lot. Happy people don’t seem to get my films,’ says the Thai director.
On building business and community together. ‘What that means is we move from being a passive consumer culture to an active participatory culture,’ says Ted Hope.