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Linklater’s third in the unplanned series is a charmer; the director offers notes on its making.
It was a good night for Guillaume Gallienne and Clio Barnard....
"Sober, intense, closer in feel to the 1970s historical films of We...
A "pseudo-detective film at once burlesque and jabbing."...
'Salvo' takes not one but two prizes. Updated through 5/24....
Also: New work's forthcoming from Olivier Assayas, Monte Hellman, C...
"The film's laughs are as low-key as Payne's reflective but straigh...
A coy coming-out drama this most definitely isn’t." Updated throu...
"Why put these talents towards such a lame, self-serious retread of...
A "bittersweet vignette of family life" set in Singapore during the...
The maker of Cannes film NORTE, THE END OF HISTORY, talks about taking time in an all-too-impatient world.
Film Society of Lincoln Center’s Eugene Hernandez podcasts live Cannes 2013 highlights, including a talk with Jia Zhanke regarding A TOUCH OF SIN.
Six-year-old star Onata Aprile joins David Siegel and Scott McGehee in a discussion of moviemaking, relationships and Henry James.
The embattled Chinese director talks about maternal perspective, personal trauma and the making of a film that the Chinese government doesn’t want you to see.
On the most beguiling moment in the first Ebertfest to take place without its founder.
In competition at Cannes with HELI, Escalante speaks on filmmaking style, sex, death, Carlos Reygadas, painting and the image of illegal immigrants in the U.S.
China’s historical transformation over the last 25 years unleashed a new kind of reality, and a new kind of filmmaking to go with it.
Critics wrap the festival year with notes on SFIFF 2013 as Cannes sets the agenda for twelve months to come.
‘Lonely people tend to like my films a lot. Happy people don’t seem to get my films,’ says the Thai director.
On building business and community together. ‘What that means is we move from being a passive consumer culture to an active participatory culture,’ says Ted Hope.